Practitioners 11: Frank Quitely

It would have been the simplest thing to allow the artwork above to illustrate all I would like to say about Frank Quitely. A late starter, like my good self (born Vincent Deighan, 1968, Glasgow, Scotland) he didn’t appear on the comic illustration scene until 1990 and almost immediately set the comics world on fire. Through numerous (but not numerous enough) projects he has revolutionised the look of the greatest and the mightiest of the two biggest comics companies in the world. A fan favourite – his work alongside Mark Millar and most prominently Grant Morrison has proved that the comic industry should rely less on unbreakable rules and the reliability of its staple characters and to rely more heavily on considered, respectful revolution – Quitely speeding the gradual revolution of characters and always making clear missed opportunities by less inspired or less talented artists.

Frank Quitely is a one man visual revolution. Simultaneously exciting, original and edgy he is also traditional, technically near perfect and highly detailed. There is no one in comics complaining about Quitely except that there isn’t enough of his work. Look above. Jesus. He takes the most highly recognisable characters and the sum of all of their character and previous incarnations and compounds and beautifies them – bringing forwards inherent elements that were always there and remained unearthed visually and enhancing the elements that had already been visible.

Take Superman; a man drawn by multiple masters previously in various guises; either adapting the existing image of the Man of Steel or developing their own – however I’d claim that none have taken all of the incarnations and public awareness of Superman and collected them more or as self assuredly as Frank Quitely. At once superhuman and godlike in his actions and stance. Powerful and Human in his build and appearance; the proportions offered plausible and close to perfectly realistic for a powerful human man and simultaneously carrying an expression you could see on anyone you might meet with Superman’s personality; pride, strength, clarity of vision and purpose. In one simple line work Quitely has encapsulated almost every word and panel drawn of one of the most prominent and world-reknowned of the comic book Super heroes.

The ‘next’ at the base of the image an addition by the website I tore the image from but could as easily simply say ‘Nuff said. Move on.’ I was even tempted to simply leave this image as a testament to the natural ability of one of the foremost artists working in the field today.

Following a 14 year career alongside Morrison, Quitely has clocked up star turns with Authority (with Mark Millar) JLA, New X-Men, All Star Superman, WE3 and Batman and Robin. But Quitely didn’t start in comics at all until 1990 – coining the Frank Quitely moniker as a spoonerism of quite frankly in order to cover his real name, Vincent Deighan due to concerns his family would be upset by the content of his first book – the Greens, a rip on the Boons – a comic strip created by DC Thompson. He needn’t have worried.

His awards include;
2005 Best Penciller/Inker Eisner Award for We3 (tied with John Cassaday)
2006 Best New Series Eisner Award for All-Star Superman with Grant Morrison
2007 Best Continuing Series Eisner Award for All-Star Superman with Grant Morrison
2007 Best Artist Harvey Award for All-Star Superman
2009 Best Continuing Series Eisner Award for All Star-Superman with Grant Morrison

I’m going to stop talking and let the artwork above speak for itself. Nice and Quitely.

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One thought on “Practitioners 11: Frank Quitely

  1. Pingback: Kapow Diary 4: Frank Quitely and the Trouble with Gibbons (Pt 1) « Beyond the Bunker

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