The vast bulk of my work these days tends to be written at the pub (The Mughouse beneath London Bridge for anybody who’s curious) and as a result hangovers are something of an occupational hazard for me. Fortunately for people like us, ASAPScience has put together this fun video, offering scientifically proven tips on how to avoid the nasty effects of booze.
Now all they need to do is come up with a way to still write coherently beyond the forth glass of wine.
This week’s track has the rare distinction of being a world record holder in that if features the most costume changes of any unedited music video. In the course of this fun and jaunty summer tune New York artist Eytan Oren whizzes through 30 different outfits covering some of the biggest faces in pop. The costume choices are funny in and of themselves but the fact that the video is unedited makes it all the more impressive.
Action figure maven Sillof has given the Galaxy Far, Far Away steampunk and Western treatments. Now, he’s tossed the cast of the original trilogy in the Cyberpunk Nineties.
In this never-was era, Luna and Link Sourcecoder wage an information war against the tentacle-caped Darth Vector with the aid of veteran hackers Hak Slicer, Cyberhacka, and utopian tech guru Zen. Seeing these figures makes me wish he built a Jabba the Hutt as the bloodthirsty CEO of a pizza delivery franchise. Explains Sillof of these groovy custom figurines:
‘This line was actually one of the first redesign idea I had almost 15 years ago, in the 99, when I first started to redesign characters. The line is intended to have a 90s scifi aesthetic. It has some elements of Cyberpunk, The Matrix, Akira, Ghost in the Shell, etc. I envisioned the movie as a struggle by a group of rebel hackers struggling to break free from the oppressive system of control by a mega technological corporation that controlled all aspects of society.’
‘I really hope Rod₂ communicates solely through Crystal Method songs, Chip³ shills Pepsi in his off hours, and the villainous Bolt Volo has a gun powered by Compuserve.
Be sure to check out these gee-whiz sculptures with further detail and back story at Sillof’s site. And for more of his nifty creations, see the Steampunk and Western Star Wars, and the steampunk Legion of Doom and Justice League.’
At the age of 31 (coming up 32) I’m already a little bemused by modern tech. I know how to operate my I-Phone pretty well but I’m too scared to put the RAM chips I bought with my current Mac in case I break it – meaning I’m using a potentially high end piece of kit like a neanderthal using an IPAD to beat a passing mammal over the head. I’m aware that there are 7 year olds who know how to use In Design better than I can. A bit of education should sort that out (keep an eye on future Diary of a Bum Artist blogs for further details) but I can appreciate that at some point technology is going to pass me by. Which is why newly released / sightly delayed film Robot and Frank kind of appeals.
Ol’ geriatric Frank (Frank Langella) is being left behind by all the crazy tinpot developments in the world in a fairly plausible future in Sundance success Robot and Frank. Of course old Frank is a thief and finds uses for Robot that we probably wouldn’t’ve thought of but certainly makes good movie plots as he attacks the twats that plague him in the world the only way he knows how. And tries it on with Susan Sarandon (well you would wouldn’t you…)
Here’s the blurb:
Frank (Frank Langella) a retired jewel thief gets a new lease on life when he is introduced to a surprising new companion. With the help of his new friend, he attempts to woo a local librarian (Susan Sarandon) and resume his criminal escapades. ROBOT & FRANK is directed by first time filmmaker Jake Schreier, written by Christopher Ford (TVs “Atom TV”), and produced by Galt Niederhoffer, Sam Bisbee, Jackie Kelman Bisbee and Lance Acord.
Directed by Jake Schreier and penned by Christopher D. Ford, Robot and Frank will be in US theaters on August 24th – though if it’ll see a UK release is anyone’s guess….
The 5th episode of Bloody Cuts Horror anthology is a dark, gothic bed-time story directed by Ben Tillett and Jake Cuddihy and starring mate to the Bunker Robin Berry (Clash of the Titans, Descent 2, Cock) winners of the 2011 SCI-FI-LONDON 48 hour Film Challenge for their short ‘The Intention of Miles’.
Only 5 episodes into their anthology of 13 short UK Horror films and believe us there are many more terrors to come…
Judge Dredd is back on the streets. Judge, Jury and Executioner on the streets of Megacity One. Back in 1995, Sylvester Stallone filled the oversized biker boots of the ultimate Judge – in 2012 it’s the slightly more svelte Karl Urban (LOTR and Star Trek). Obvious critical antipathy aside the problem back then was not Stallone, quite frankly the iconography, CGI, battle sequences and hard edged machismo on display matched what was taking place in the pages of 2000AD at the time very well though in the intervening years it’s aged inevitably, Roy Schneider, too many plot lines and a weird ending derailing a promising comic book adaptation.
The modern remake looks to be taking a less bombastic approach to Megacity One, with intermittent Megablocks between normal buildings, more of a sprawling metropolis than a monolithic tech city – reminiscent of District 9 and Predator 2 rather than Attack of the Clones and Blade Runner – which fits in with the sombre rethinks of other iconic comic book characters in recent years – though is just as likely to date it for future generations. It appears smarter and more universal perhaps than its predecessor on the whole though.
The problem in 1995 was flash-in-the-pan silly voiced ‘comedy actor’ Rob Schneider, dropped in to provide some misjudged light relief. Max Von Sydow and Diane Lane as Chief Justice Fargo and Judge Hershey were well placed but a retread of an old ‘clone’ story in which Dredd’s ‘brother’ Rico (played by Armand Assante) pushed the Sci-fi too far too quickly before Dredd was properly developed. Cramming ABC Warrior references, The Angel Gang (in particular JD strip regular Mean Machine Angel, a clone storyline and an intro that used elements of Wagner’s original Block War storyline into one short film caused a mess to ensue. By the denouement, set in an unexplained hideout in the head of the Statue of Liberty, apparently moved to the middle of Megacity One for no other reason than to have an exciting setting for the ending, things were confusing and a little overblown.
The new version has involved the creative teams that created Dredd in the first place, screenwriter Alex Garland (The Beach, 28 Days Later) has worked closely with Dredd creators John Wagner and Carlos Ezquerra to get the characters as close to the original concept as possible. Their plans seem to be very much more long term as well in this age of franchises, with the trailer suggesting only the utilisation of Wagner’s early Dredd storyline ‘Block Wars’ in which Dredd has to fight his way through one of the Megablocks (giant housing blocks) to take out Ma-Ma Madrigal, the dealer of Slo-Mo, a drug that causes the taker to slow their perception of time.
The other controversy back in 1995 was the decision to reveal Dredd’s face – as Sly – though really this could be a redundant concern as the world and his mates dog knew what Sylvester Stallone looked like and frankly Stallone filled the role very well, even down to the twisted lantern jaw.
This time it looks like the helmet is firmly stuck on, which is a shame in some respects as Karl Urban has a less interesting chin than Sylvester Stallone. This, in itself, might kick up it’s own controversy in film fans that are not so familiar with the source material. Never-the-less, hats off to anyone who wants to stick as resolutely as possible to any long standing character – made easier no doubt by Alex Garland’s position as Producer.
Never the less, both have moments of cleverness, the original’s section in the Cursed Earth and the depiction of the senior Judges (in particular Max Von Sydow’s Chief Judge Fargo) was well translated and the meaty, cartoon violence and tongue in cheek satire of rampant total martial law was imbedded nicely without becoming part of the plot, as in the books themselves. The action sequences were on the whole nicely put together (excluding the last) and Stallone was effectively born to play the Judge of Judges. Ultimately it’s flaws brought it down but it was a worthy attempt brought down through too much fiddling by the powers that be.
This version looks more careful and considered with a sharp eye on the future of the franchise as well as a neat look at the past that inspired it. Whether relying on Wagner and Ezquerra, geniuses though they are, to imbed ideas that have been developed since will prove a great idea is yet to be seen but the more I watch the trailer the more I think they’re on to something. However, in the cold, gritty realism they’ve claerly aimed at alla Christopher Nolan’s Dark Knight franchise is there room for Mean Machine Angel and more to the point, the snickering countenance of Judge Death…. probably not based on what we see here… but there’ll always be another franchise in another 17 years and franly I’m psyched to see what this one holds in store for us.
In the meantime, below is the 1995 trailer that inspired me to convince 50 mates to go see it – something I paid for dearly. I still blame Schneider. Pre-CGI Jar Jar that he was!! Compare and contrast – based on the trailer below you’d be a fool to miss it, sadly the end result wasn’t quite on par, but do note how irritating it gets the moment Schneider turns up. Fingers crossed for September 2012.
Watch the immediate space around your planet. The orbiting satelite is beginning to stir again after a long ol’ time in the icy cold. His partner in danger, a rebel traffic warden on the loose, gun toting mercenaries wrecking diners and a mysterious power that speaks with strange speech bubbles in the background of it all.
Who killed Councillor Hugh Griffiths? Only Moon can find out in the upcoming Moon 2…
Moon has been away too long and you will find that the updates here are going to decidedly more intense and significantly more original as the return of Moon becomes an certainty.
For all of those who have waited patiently and to those who have just discovered him – Moon is on his way back to see us and we can promise that the result is going to be unlike anything you’ve ever seen in British comic books (while still remaining vaguely familiar).
The Moon is among us. Watch out for his big Moony head.
Unfortunately whether or not we will hit London Film and Comicon is still in doubt however we are making sure that the best comic that we can put together is on it’s way. So keep your eyes on this space for more updates and goodies regarding our resident defender of Albion (nay, the world!!)
It’s the European Grand Prix tomorrow and so it seemed like a good time to dig out this video from a month or so back. The Sauber F1 Team certainly know how to make a fast racing car. So far in the 2012 season they’ve landed 2 podiums and are comfortably leading the midfield portion of the constructor’s championship (depending on whether you consider Mercedes to be mid field or not). All of this is perhaps made even more amazing by the fact that they’ve spent the past 2 years chainsawing one of their cars in half for the entertainment of the public.
The result is a fascinating look at the inner workings of one of the most technically advanced vehicles on Earth. From the insanely uncomfortable driver position to a system for making fuel sit still, this video is a lovely insight into why F1 is the king of nerd sports.
Since starting Song of the Week I’ve been getting regular emails from people wondering if we can feature their band on our site. These emails are more often than not the kind of copy/paste “unique opportunity for your readers” rubbish that signals the fact that we’ve been added to yet another PR company’s mailing list. Every so often however, such as in the case of the guys from The Paul Hegley Band, the email is from genuine artists who are just trying to get their work out there.
That’s not to say that we feature every person we get a nice email from, but as it turns out I’m a sucker for the kind of moody, Dire Straits-esque guitar playing that Paul has going on in the opening of this track and I reckon it’s well worth a listen.
Steel yourselves for a giggle fit because the launch of Lego Batman 2 comes with a suitably funny launch trailer. The free roaming sequel to the caped crusader’s first foray into the world of bricks promises more heroes, more villains and even more silliness and the trailer certainly delivers on that. Also, we finally get to see what it looks like when the Batmobile looses a wheel and the Joker gets away.