Dan’s Blog: MCM Debrief

For my part, I spent Sunday cosplaying as white trash.

The very first year that Steve and I appeared at the MCM Expo the event fell upon the same day as a Millwall game. It’s not a detail that I would remember were it not for the fact that it meant that my first experience of the con was sitting on a packed tube full of confused skinheads and teenagers dressed as cats. There has probably never been a more perplexed railway carriage anywhere in the world and I found myself developing an instant fondness for this oddball of a con.

I mention this story first because really the teenagers dressed as cats (and Pokemon and cardboard boxes and pretty much anything else you can imagine) are the heart of MCM. That’s not to say they are the only audience there (in terms of floor space, it’s probably the biggest comic con in the UK) but at its very core the event is about people who say the word “random” a lot, cutting loose and having fun. As a result, MCM has always had a kind if energetic buzz about it that you just don’t find anywhere else and it’s this buzz that is the key to why this year’s event was so successful.

MCM has taken some flak over the years for its rather diverse (random, you might say) range of exhibits. While other cons focus on comics or movies or trading or whatever, MCM goes for a bit of everything but in times such as these it’s exactly that kind of diversity that you need. If you’re only going to go to one comic con then the obvious choice is the one that lets you see as much as possible. MCM is not so much a comic convention as a convention for the sort of people who like comics. It’s a subtle distinction but one that breeds the kind of extremely loyal fanbase that descended in droves upon the Excel Centre last weekend.

Shot of the convention floor. It’s very hard to convey the sheer scale of the event.

For our part, we were taken completely by surprise by just how busy the con was. We brought our usual hefty amount of stock, expecting it to last the entire event (especially given a slightly disappointing audience turn out at Kapow) but instead found ourselves completely sold out of copies of Moon by 5pm on Saturday. The result was that Steve had to scurry back to Essex on Sunday morning, while I tried to learn how you sell prints of characters from a book you don’t have (turns out, you generally don’t). By 11am we were back up and running however and went on to smash our all time sales record by some way.

Moon #1 completely sold out.

I should mention, in the interests of fairness, that we had a much better pitch than at Kapow, being as we were right next to the auditorium and the booth for ASDF (who I’d never heard of before the weekend but who I’m pretty sure most teenagers would readily kill for.) This naturally translated into better sales but the fact that we took more than twice what we made at Kapow and paid less than half for the table left me pondering whether we’ll keep Kapow on our calendar next year.

Organisation wise we’ve got no complaints. Comics Village (who run the comics side of the event) have gotten very good at pre-show communication this time around and having every table get a small blurb in the program was a nice touch. Despite the huge crowds, there was always a volunteer on hand when needed and they were (as has always been the case) extremely helpful and friendly.

The aftermath. Huge thanks to everybody who bought the book and to those who have sent us such kind feedback on it. You guys are awesome.

The one part where the organisation fell down slightly was in the execution of the Eagle Awards on Friday night. The Eagles themselves are probably a topic for another day but the very low audience turn out was a bit of a shame. Steve and I certainly appreciate being able to hog the free beer but I can’t help but think that if they were properly publicised and perhaps held on the Saturday night, the turn out would have been far better. We ran into only two non-comics industry people at the awards and they confessed that they’d only found the event by chance. Given the announcement about the demise of the Eagles, I wonder whether the lack of publicity was a deliberate move to send the awards off quietly with an eye to focusing on next year’s new “MCM Awards.”

The Eagles is but a small part of the overall event however and a low turnout for one small part is not enough to spoil the experience of what was in all regards a fantastic convention experience.

D
x

If you picked up a copy of Moon #1 at MCM then we’d love to hear what you think. Send us an email at btbcomics@gmail.com or let us know on facebook or twitter!

Some Thoughts on The Great Gatsby Trailer

The Great Gatsby is (and has been since I first read it at the age of 17) my favourite book by some distance. With that in mind I’ve been rather curious about the latest attempt to bring Fitzgerald’s great American novel to the screen. This time around the project is helmed by Baz Luhrmann (Romeo & Juliet) and stars Leonardo DiCaprio in the title role and if the trailer is anything to go by then things seem to be on track.

I’m still not totally convinced that Gatsby needs to be a movie and part of me can’t help but think that DiCaprio is too self assured to work as the lost, delusional Gatsby but I like all of Baz Luhrmann’s films (yes, including Australia. Australia’s great, bum off) and I’ll watch pretty much anything with DiCaprio in (miscast or not). The idea of casting Tobey Maguire as Nick Carraway is an interesting one and from the trailer, looks to be a pretty sound decision. Maguire is a great character actor who deserves to be thought of as more than “that guy who played Spider-Man”.

The one thing that baffles me is why on earth, given the largely non-action based story, the movie is in 3D. Most likely it has something to do with studio pressure and the fact that Luhrmann wants to have a bash at it before the horse finally collapses. I would suggest that this is an example of 3D running faster, spreading it’s arms father and hoping for one fine morning…but that would make me a wanker.

Gatsby is out later this year.

D
x

Oh and if you want to see a truly great (no pun intended) Gatsby esque film then you should watch Stephen Poliakoff’s Friends and Crocodiles. It’s not a version of the Gatsby story per-say but it has so many parallels that if you like Gatsby then you’ll love it.

Dan’s Blog: Kapow Debrief

I was pretty tired in this photo. If you have a chirpier one of me, please let me know!

Kapow’s something of a special convention for us. The con’s first outing last April was also the first time that Moon saw action at a major convention and Kapow 2011 remains one of my highlights from last year. In the end Kapow 2012 turned out to be something of a mixed bag, not awful by any stretch but certainly a very different to last year.

It was pretty hard to get a sense of the overall vibe of the con as we were kinda tucked away in the new Artist’s Alley on the upper level but on the whole the atmosphere definitely seemed somewhat muted compared to 2011. That’s not to say that people weren’t enjoying themselves but the electricity which permeated the air last time was lacking and the audience numbers certainly looked to be down (though this is pure speculation).

Ultimately I think you have to put this down to the decision to postpone the convention until May in order to allow Marvel Comics to attend (they were a little busy in April with a certain movie). This move placed Kapow exactly a week before one of London’s other Goliath cons, MCM and just 2 weeks after the Bristol expo. To be fair, all three cons have slightly different audiences but cramming them all into one month was always going to force fans to pick one or two and both Bristol and Kapow appear to have been hit by this (though, let me again stress that this observation isn’t based on concrete attendance figures).

The Kapow Floor begins to fill up.

One thing that wasn’t lacking was the work that the guests and exhibitors themselves put into the event. Of the few events I got to see the Lucha Britannia‘s wrestling shows remain the highlight for me. Wrestling shows at comic cons have become a pretty common sight but the Lucha Britannia guys put on by far the best show I’ve seen in this country and I heartily recommend that you catch one of their shows if you get the chance. Jonathan Ross also continued to carve out a reputation as the ultimate convention guest, at one point even diving into the ring to help the good guy wrestlers win the day.

Lucha Britannia

Reactions to the new Artist’s Alley seemed to be kinda mixed too. Some people enjoyed the quieter atmosphere as it allowed them to talk to fans without clogging up the isle and certainly for the fans who found their way up there it offered a lot of opportunities to spend time meeting creators. Of course the down side is that not all the fans found all their way up there and because the layout didn’t funnel people directly past tables, it was tough for exhibitors to strike up conversations and ultimately sell books.


 In all honesty, use of the upper levels of the business design centre was inevitable given how crowded the main floor got during the day. I take some issue with the price that was charged for the tables in the Alley, given that they were always going to be inferior to the main floor in terms of sales. Other cons justify the existence of these less desirable plots by renting them to small press publishers and creators for a reduced rate. It’s a deal that works for everyone as you essentially get what you pay for. Kapow’s stance has always been that they don’t do small press and everyone pays the same for a table. This was fine last year, we paid a premium sum but we got a premium table in a premium location. This year however I can’t help but feel that we paid way over the odds for a less desirable location. Die hard critics will leap on this as “another example of Kapow stiffing small press” but I’m not sure I see it in quite such extreme terms. The Artist’s Alley was a new venture and it takes a year or so to work the bugs out of things like that. Jumping to conspiracy theories serves nobody and it’s far better to offer organisers constructive feedback than jump down their throats. So here’s the feedback, Kapow: The Artist’s Alley works, it’s a good addition but it’s too expensive and you need to make it clearer during the booking process that it’s located on the upper level…oh and if you could book even more luchas, that’d be great too.

While we’re on the subject of feedback, I want to offer one additional thought. Kapow, your wristbands suck. They look like creepy, escaped hospital patient bracelets and they are scratchy as hell (my poor wife has the scars to prove it and that’s just from rolling onto my arm in her sleep during Saturday night). Give exhibitors lanyards. Lanyards are cool, you can take them off at night and they sound like the name of a family from Game of Thrones. There’s no reason not to use them.

Scratchy scratchy!

On the whole, the weekend was a lot of fun for us. Despite the disappointment of our table, we sold reasonably well, met a lot of incredible Moon fans (seriously, you guys are incredible) and had a lot of fun. I want to send out some congratulations to Band of Butchers artist Rob Carey who not only successfully launched his Lightning Strike project but (justifiably) had big name editors drooling over his artwork. Never get tired of seeing people I know get recognition they deserve. Also want to give some thanks to Stuart Gould from UKComics for coming through again with some amazing print work for us. If you make comics and you don’t use Stu for your printing then you’re possibly mad.

Kapow closes down for the night.

I now have four days to “relax” by doing my day job, meeting with my film writing partner Jim Eaton to work on our next big project and finalising the new Unseen Shadows comic I’m doing and then it’s off to MCM for three more days of madness. I’ll be live tweeting the Eagle awards from @danthompson2099 on Friday and given how much free beer they gave me last time, this should be something that’s worth tuning in for.

Well done, Kapow for pulling off the difficult second album. There were some logistical issues but every fan I spoke to had a cracking time. Here’s to another year of a very unique convention.

D
x

RIP MCA

I’m gonna skip Dropping Science today in favour of remembering Beastie Boy Adam Yauch aka MCA, who passed away yesterday. I talk a lot about music that inspires the work we do here but the Beasties are about as central to our comic as any band. Back when Paul Wade and I were writing the original Moon sketch back in 2008 we watched Sabotage on a loop and the original brief for the short was basically “Let’s do that with a guy with a Moon head”. Obviously we weren’t the only ones. Sabotage is pretty much the perfect cop parody and has been riffed on so many times by so many people that it’s kind of amazing.

The comic has moved on from its simple cop parody roots and the feel is quite different now but without the Beastie Boys it’s unlikely that we would have ever hit upon the idea in the first place. Add to that the staggering debt that modern music owes to the band and you have a very special artist.

Adam, thanks for the music, the inspiration and the SABOTAGE!

D
x

A New Unseen Shadows Comic From Dan Thompson

Those of you who follow us week in and week out will already know that we had a really nice time at Demoncon last Sunday. The part that we didn’t mention at the time was that I had a meeting with Barry Nugent while we were setting up. Barry approached me a few months back with regards to maybe doing another Unseen Shadows comic for the second US anthology, “Tales of the Forgotten” and obviously I said yes because I’d had such a blast working on Band of Butchers last year. I finished the script a couple of months back but we’ve been keeping it quiet while we search for an art team to make the book a reality and that’s where chap called Peter Mason comes in.

Peter is currently in the process of drawing the second book in Cy Dethan’s outstanding Cancertown series and had gotten talking to Barry during the opening stages of the convention. He showed Barry some of his portfolio, Barry passed it on to me and both of us were utterly blown away by the kinetic energy and sheer quality of his work. Long story short, we pretty much offered him the job on the spot, he said yes and just like that, we have a new comic in the works!

The book is called “Ashfall” and it’s a one shot comic about a veteran paranormal investigator called Nathan Ash. Nathan is the mentor to Unseen Shadows poster boy, Napoleon Stone and features heavily in Barry’s best selling novel “Fallen Heroes.” In this story we’re going to be exploring the relationship between the two men, as well as creating a kick ass adventure story which you can enjoy whether you’ve read the novel or not.

I don’t have a release date for the book yet but I’ll keep you updated on any major developments. You can also follow the project over at the Unseen Shadows Website.

Now why not enjoy some of Peter’s incredible character sketches for the book?

Napoleon Stone by Peter Mason

Nathan Ash by Peter Mason

 

D
x

A Comedy of Edits – Dan’s New Film

 

This is the final cut of the new film that James Eaton, Paul Wade and I have been working on, it’s also our entry for this year’s 2 Days Laughter Competition. Those of you who’ve followed us for a while will already have heard of 2DL as we do it pretty much every year but for the uninitiated, 2DL is a film making competition which challenges people to produce a 5 minute comedy film with a total production time of no more than 48 hours.

Previous efforts on our part have included youth TV spoof [Box] Fresh, Edd The Duck biopic Ducking The Past and our take on the BBC’s Springwatch as well as several other films produced for 2DL’s horror based sister competition, 2 Day’s Later. We’ve managed to score a shortlisting on every film we’ve put in so far as well as one or two awards, fingers shall remain crossed that our new baby fairs equally well.

A Comedy of Edits is the story of William Shakespeare’s meeting with his play’s financial backers and stars Joshua Broadstone and Jack Gavin (of Devil’s Fork fame) as well as Ryan Brannon (one half of comedy duo, Cold Callers). They’re all good friends and it was lovely to get a chance to work with them all again. It was written and directed by James and myself and expertly shot by Paul (who also did the post production and very cool titles).

I shall keep you updated on how the competition goes, but for now I hope you enjoy the film.

D
x

For The Curious, This is How Clancy Wallencheck Drinks His Coffee

 

You could probably sub out Clancy for The Punisher and this would still be true, but I know you guys are always looking for insights into our work. I haven’t checked with Barry Nugent but I’m almost certain that during that pivotal coffee shop scene towards the end of the Fallen Heroes novel (you know the one), Clancy is sipping from this badboy.

If you are an insane gun-nut with a penchant for pouring scalding coffee all over yourself will attempting to “sight up the barmaid” then you can purchase the OPMOD Battle Mug from HERE.

D
x

100,000th!

We don’t mark stuff like this very often but the BTB hit counter ticked over the 100,000 mark today. For a young site, entirely run by 2 people, it’s a good number and we’re very proud of it.

Thank you for all the support that has been shown to this site since we opened our doors just over a year ago, we’ve grown massively and we continue to grow every day. Please keep telling your friends about us, checking back for new content and (if you can afford to) buying our comics. In return, we will continue to put out as much content as we can over the next 100,000 hits. More Practitioners, more comic and movie articles and of course much much more Moon.

Here’s to the future, Bunkerites!

Dan & Steve
xx

New Unseen Shadows Project in the Works

Morning everyone,

Those of you who follow me on twitter will know that I’ve been having a bit of a moan lately about how as a writer you’re never allowed to talk about the stuff you’re working on. It’s a one of the drawbacks of being at the very start of what is always a very long creative process but there are very good reasons for it. Many projects that get started go nowhere and if I went around every script that I started work on then you’d come to believe that we have an upcoming catalogue comparable to Marvel. 90% the stuff I start writing goes in the bin or goes back into the closet to be brought out at a later date and until one of those ephemeral ideas begins to coalesce into something more substantial, I don’t see any benefit in talking about it publicly.

Which is all a rather round about way of saying that I probably have another new comic coming out later this year. Since Christmas I’ve been working on a new Unseen Shadows one shot for the follow up anthology to Tales of the Fallen (available from all good stockists and this one) and it looks like it’s far enough along that you can all know about it now. The script went off to Unseen Shadows editor, Barry Nugent, last week and, pending a few edits we should be looking for an art team in the near future.

The comic itself is not a direct follow up to last year’s Band of Butchers but rather will feature a tale about Unseen Shadows’ front man, Napoleon Stone chasing down his old mentor in a story of friendship, betrayal and big fights in exotic locations. It’s been a real thrill to get a crack at writing one of the Unseen Shadows A-listers and, as always, Barry has proven to be a very fine editor indeed. The man knows his universe but he’s not afraid to let others play in it, the perfect combination to my mind.

I’m now going to go back to doing that annoying “not talking about the project” thing as we need to secure the rest of the dream team that will bring this book together. As soon as I know more about stuff like release dates etc, I promise that I shall let you know. For now be content to know that if you dug Tales of the Fallen then you will be smiling even more by the end of 2012.

Take care,

D
x

(I’m also working on a film project right now…but I can’t talk about that.)

RIP Etta James

 

This isn’t really geek news but Etta James passed away today at the age of 73. I’ve been a fan of Etta’s music for some time and she’s one of the artists that I routinely listen to while working so I thought it was only right to acknowledge that. Here’s a bit of her wonderful music to brighten your Friday night.

Rest in Peace, Etta. Thanks for the music.

D
x

Follow

Get every new post delivered to your Inbox.

Join 581 other followers