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A New Unseen Shadows Comic From Dan Thompson

Those of you who follow us week in and week out will already know that we had a really nice time at Demoncon last Sunday. The part that we didn’t mention at the time was that I had a meeting with Barry Nugent while we were setting up. Barry approached me a few months back with regards to maybe doing another Unseen Shadows comic for the second US anthology, “Tales of the Forgotten” and obviously I said yes because I’d had such a blast working on Band of Butchers last year. I finished the script a couple of months back but we’ve been keeping it quiet while we search for an art team to make the book a reality and that’s where chap called Peter Mason comes in.

Peter is currently in the process of drawing the second book in Cy Dethan’s outstanding Cancertown series and had gotten talking to Barry during the opening stages of the convention. He showed Barry some of his portfolio, Barry passed it on to me and both of us were utterly blown away by the kinetic energy and sheer quality of his work. Long story short, we pretty much offered him the job on the spot, he said yes and just like that, we have a new comic in the works!

The book is called “Ashfall” and it’s a one shot comic about a veteran paranormal investigator called Nathan Ash. Nathan is the mentor to Unseen Shadows poster boy, Napoleon Stone and features heavily in Barry’s best selling novel “Fallen Heroes.” In this story we’re going to be exploring the relationship between the two men, as well as creating a kick ass adventure story which you can enjoy whether you’ve read the novel or not.

I don’t have a release date for the book yet but I’ll keep you updated on any major developments. You can also follow the project over at the Unseen Shadows Website.

Now why not enjoy some of Peter’s incredible character sketches for the book?

Napoleon Stone by Peter Mason

Nathan Ash by Peter Mason

 

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Sketch week!!

Not all of the work we do at Beyond the Bunker makes it up on to the site. These are the delirious, subconscious scratchings of an artist fighting to finish our title, Moon 2 in time for our proposed deadline. Still, I took a minute to knock this up to show – I dunno – some of the stuff lying around the work space at any given moment. More random pieces of artwork will be appearing here very soon. Please keep an eye on Wednesdays for Beyond the Bunker Classic as well as some scraps to illuminate the edges of the work we do here at the Bunker.

Practitioners 46: Jim Lee

Jim Lee was born in Seoul, South Korea on August 11, 1964 and emigrated to the United States with his family at the age of four, growing up in St Louis Missouri. In Lee’s St. Louis Country Day School his classmates predicted he would found hi sown comic book company. Despite this, Lee seemed resigned to following in his father’s profession of medicine, studying psychology at Princeton University, with the intention of becoming a medical doctor. However, medicine’s loss was certainly going to be popular culture’s gain as Lee became one of the most influential and well known artists on the biggest selling comic book of all time. One that founded movie franchises and supported an ailing Marvel in the late ’90s and found some of the most famous comic companies in the world to rival it.

Lee’s rise to fame with Marvel Comics was inevitable as it was undeniable. In 1986, as Lee was preparing to graduate from his psychology degree, Lee took an art class that reignited his fascination with art at a time when seminal work such as Frank Miller’s Dark Knight Returns and Alan Moore’s Watchmen was reinvigorating the American comic book industry. With the psychology degree complete, Lee did something, with the reluctant blessing of his parents, that shows incredible courage and clarity of mind and self belief. He postponed his medical degree. The rest is without a doubt comic book history. He vowed he would return if he failed to break the comic book industry. Not something that should’ve worried him.

Submitting examples to various publishers, Lee did not see success until a New York comic book convention where he met Archie Goodwin, comic book editor (regularly cited as the ‘best loved comic book editor… ever), artist and writer who introduced him to Marvel Comics. Now it seems hard to believe that Lee was not snapped up immediately by the first commissioning editor to spot him but Lee exposes the nature of the industry. Retrospectively, artists are professional, passionate and confident in the style they work in and seem undeniable masters of their art but even the most capable artist can be subject to the pressures, misunderstandings, bad luck and bad timing of the industry. Lee began on Alpha Flight and moved over to Punisher: War Journal, his work there inspired by Frank Miller, David Ross, Kevin Nowlan and Whilce Portacio, as well as Japanese Manga.

Then came the crossing of two similar talents, one more senior than the other as Lee filled in for regular illustrator, Marc Silvestri on Uncanny X-Men 248, which was, due to positive response and Marvel’s own enthusiasm for Lee’s style followed up on issues 256 through to 258 as part of the ‘Acts of Vengeance’. The timing of this was key as X-Men, under Claremont was not only ground breaking and beautifully written at the time, it was on a meteoric rise in terms of popularity, beginning to challenge the more mainstream titles of Spider-man, Fantastic Four and Avengers. Eventually, Lee became Uncanny’s full time penciller, working for the first time with inker, Scott Williams, who would become his long time collaborator. To cement his position as an X-men innovator, Lee co-created the smooth talking mutant thief Gambit, with Chris Claremont. Lee’s popularity crystallised in these months, becoming more and more representative of what fan’s wanted. He gained increasingly greater control of the franchise and in 1991, Lee helped launch the second X-Men series, X-Men (Volume 2). He did so, not just as artist but as co-writer alongside Chris Claremont, giving the book a more broad and cutting edge feel to it’s perhaps more thoughtful predecessor. X-Men 1 was raw edged, fun comic book pinned with the wisdom and knowledge of an older and more restrained writer. Lee pushed Claremont’s boundaries while Claremont restrained the more inexperienced artist to just the right degree. The result was comic book history and rightfully so. However, Lee redesigned costumes, entirely successfully for Cyclops, Jean Grey, Rogue, Psylocke and Storm as well as creating villain Russian Super Soldier Omega Red.

X-Men 1 (Vol 2) remains the best selling comic book of all time with sales of 8.1 million (and nearly £7 million). This was confirmed in a public declaration by the Guinness Book of Records at the 2010 San Diego Comic con. While one aspect of it’s success was that it was released with five different variant covers as well as a limited edition gatefold edition that revealed it all in its glory, the success was thanks to Lee’s distinctive, modern take on a fan favourite and the development of the X-Men in an exciting new direction. The variant cover trick became a weight around collector’s necks in years following with Gold and Silver foil, holograms and gatefolds every few months for some titles, but this first incarnation was about piecing together a piece of art, mass produced and available to anyone who wanted it. Only Jim Lee and perhaps one or two other legends of the industry could’ve commanded such a response.

The success of X-men saw Lee hungering even more for greater creative control over his own work, and as soon as in 1992, Lee accepted an invitation to join six other artists (Todd McFarlane, Erik Larsen, Marc Silvestri, Whilce Portacio, Rob Liefeld) who broke away from Marvel Comics to start Image Comics, which would release their own creator-owned titles. Lee’s batch of titles included Wild C.A.T.s, which Lee pencilled and co-wrote, and other series created in the same universe, including Stormwatch, Deathblow and arguably the more successful Gen13.

Lee and his close friend, Valiant Comics publisher Steve Massarsky, arranged a Valiant / Image crossover, Lee’s characters being used, alongside those of Rob Liefeild. Four central titles would exist – two from each company – in single edition format, each edition known as a colour rather than a number, plus a prologue and epilogue book. Wildstorm produced Deathmate Black, with Lee himself contributing to the writing, illustrating the covers of that book, as well as contributing to the prologue’s interior links. The assignment was given to Valiant creators against their better judgment, in particular Editor-in-chief Bob Layton, who complained about Image’s inability to meet their deadlines. Deathmate Black came out a few months after Valiant’s Blue and Yellow installments, which had come out on time, and Liefeld’s Deathmate Red was so late that Layton flew to California to procure that chapter personally, and ink it himself in an Anaheim hotel room. Layton see’s Deathmate’s lateness as one of Valiant’s ‘unmitigated disasters’ and views that project as the beginning of the spectacular collapse of the 1990s for the comic book industry. A collpase that would pull in Marvel and a collapse that comics has not, if ever, recovered from.

Wildstorm continued on, expanding it’s line to include other ongoing titles. As publisher, Lee later expanded this by creating two separate imprints for Wildstorm, Cliffhanger and Homage (to be replaced again years later to reform as a single Wildstorm Imprint, now owned by DC).

Moving back, with Rob Liefeld, to Marvel for the Heroes Reborn alternate universe storyline of the mid-late nineties, Lee was given the opportunity to plot the new Iron Man and wrote and illustrated The Fantastic Four. Both used existing storyarcs and developed them, bringing them more up to date. The innovations on these titles, however, were arguably greater than the more successful Ultimate Universe that has existed since as an Imprint of Marvel, though that is more subject to greater popularity of the industry as well as greater sophistication in art and writing in modern comic books.

Lee returned to Wildstorm, where he would publish series such as The Authority and Planetary, as well as Alan Moore’s imprint, America’s Best Comics. Lee himself wrote and illustrated a 12-issue series called Divine Right: The Adventures of Max Faraday, in which an internet slacker inadvertently manages to download the secrets of the universe, and is thrown into a wild fantasy world.

Sourced from HERE Check out the gallery there for more awesome images. Thanks to Alexandre Bihn for the awesome scan.

In a typically astute and decisive choice, Lee sold Wildstorm to DC in 1998 because he felt that his role as publisher was interfering with his role as an artist. In an echo of the choice made many years previously, he put his calling first. In 2003, Lee collborated with Jeph Loeb for a 12 issue Batman run. Introducing a new nemesis from Batman’s past, ‘Hush’ was a tightly packed and neatly executed trip through the Bat universe. Lee’s images were sumptuous, his design work intricate, emotive and innovative. Lee, the artist, through all the pitfalls and difficulties of publishing had lost none of the values and passion he had when working on X-Men 1 more than 12 years before. He followed this up with ‘For Tomorrow’ a 12-issue story in Superman by 100 Bullets writer (and Bunker firm favourite) Brian Azzarelo, although this didn’t achieve the same level of success, Lee’s work showed a maturity and stillness that perhaps wasn’t visible in his earlier career. In 2005, Lee collaborated with Frank Miller on All Star Batman and Robin, the Boy Wonder, a series plagued by delays. Lee’s work was spotless throughout, in particular a redesign of the batmobile and a gatefold image that folded out from the book itself that revealed the full scale of this Elseworld Batcave. While Lee’s contribution was near infallible, Miller’s writing was unsophisticated and cynical in most ways and alienated a great many readers. During this period, Lee returned to WildC.A.T.S with Grant Morrison. The gap between All-Star Batman and Robin 4 and 5 was one year and to date, only 1 issue of WildC.A.T.S (Vol 4 has been published. During thsi time, Lee also drew covers for the Infinite Crisis series.

Lee was named Executive Creative Director for DC Universe Online MMORPG. This was released in 2009, with Lee responsible for concept art for the project.

Lee’s meteoric rise did not falter there, as he has now taken a position alongside Dan Didio as Co-publisher of DC Comics. Despite obvious concerns, Lee maintains that this will in no way effect his capacity as a creative. He cited two projects, Dark Knight: Boy Wonder – a follow up of the Frank Miller series he had worked on and also a painted cover for Giuseppe Camuncoli’s layouts in Batman: Europa 1. Neither projects have surfaced yet. The Wildstorm imprint was officially declared ended by DC in September 2010.

With DC’s enormous revamp of it’s entire line, A-List artists were brought to the forefront to work on the most prominent titles. With a Justice League movie in discussion /pre-production at present DC was always going to put JL first in their choices of creative teams. The illustrious team of Jim Lee as penciller and Geoff Johns as writer is certainly, still, a cocktail that no true fan of the artform can ignore. If anything that is Lee’s great talent. Enduring popularity. His art work remains so fresh and clear, and so respresentative of what people want from their books – in spite of changes in the industry itself – that Lee has proven himself a Practitioner who has wandered away from the thing he is most beloved for, but like a much younger, more south east asian Peter Cook, retains a place in every fan who ever saw his work. This is testament to Lee’s enormous talent. His offers to put out projects reveals a conflict of interests that has taken him away perhaps too much in the last two decades, however he is a brave artist who pursued greater goals. Without finding ourself in the same situation who are we to say we wouldn’t pursue those same goals…. however Lee’s example is certainly a cautionary one. Swathes of exceptional artwork, pages and pages of classic comic work haven’t seen the light of day. From the top down the industry runs on one thing – putting out the best books possible. While we can never undermine someone’s right to do whatever they want – what would we have given to see more Lee?

Moon 2 Preview

Moon 2 is on it’s way folks!! We will try to make sure that updates are here every Monday from now on – though this is difficult to maintain so there are no spoilers – and what spoilers there could be!! Remember of course that Moon is currently at the mercy of the mysterious Bingo Mole soldiers and the mercenary killer that has shot Ray. Electrocuted, weakened and surrounded Moon will of course try to make his escape. However, will it go to plan? For starters he needs his car and it looks like it’s being nicked by a certain Shades Rodriguez….

Stay tuned to Beyond the Bunker on Mondays for the Moon face’s return… he’s coming back and we hope you’re looking forward to it as much as we are…

P.S. These are draft pencil and ink work and mock lettering – not the final look of the panel… just so you know…

Fallen Heroes 2 Ready to Go!

Fallen Heroes 2 has been completed is currently going to print. The hope is that it will be resting alongside the larger Unseen Shadows graphic novel at Thoughtbubble but we cannot confirm that at this stage as the book is so close to the date in question. We have no doubt that Stu at Ukomics is doing everything he can to make sure visitors at Leeds get to have a look at the new edition.

Featuring Ben ‘The Hand’ Ashodi and Stephanie Connisbee from the previous issue (and the Tales of the Fallen Graphic novel) as well as introducing some pivotal characters and developments to the FH canon, it’s been put together by Barry Nugent (writer of the original novel and general demagogue), Martin Conaghan (writer and calm voice of reason), Steve Penfold (me, on pencils and inks), Gat Melvyn (colours, seamlessly professional) and Paul Mclaren (lettering and diligent communicator).

Lost Jedi: Howsi Stigos and the Battle of Ipris Kii

The most layered and complex design I had attempted up until this point, the battle for Ipris Kii was the clearest scenario I had in my head. A coastal fortification under heavy assault from the Galactic Senates Forces (Clone Troopers led by Jedi). The incursion is through heavy cloud cover and among the assembled warriors are Howsi Stigos and her Master, Hollan Fry, a Sauron Jedi. As Hollan attempts to chastise her padawan in responsible use of the force the Dropship is struck by a missile. Hollan is killed on impact. Howsi Stigos survives the impact into the sea and fights her way to shore only to find enormous resistance. The scene depicted here is the moment prior to Order 66 being granted, with Howsi trapped between two warring factions, both about to be hell bent on killing her.

I’m not completely happy with it as some of the layers are not fully incorporated into the image but as a starter I found it reassuring that I wasn’t entirely lost in the composition of the piece.


Reverend: Wrath of God page 2 Preview

Welcome folks. Please find attached one more art and colour sample of Cy Dethan’s version of Barry Nugent’s Unseen Shadows character, The Reverend which I’ve been working on for a few weeks now. Almost every page is finished now and on its way to be coloured by the irepresable Gat Melvyn of SA. The collected work of the five Fallen Heroes titles, Tales of the Fallen, will be available at Thought Bubble in Leeds in November.

Fallen Heroes 2, Page 2: Full Preview

Page 2 of the upcoming second issue of Fallen Heroes, due to be released at Thought Bubble in November. Work continues apace on the collected edition of Unseen Shadows, featuring 5 of its central characters (Ben Ashodi (The Hand), Clancy Wallencheck, Napoleon Stone, Stephanie Connisbee) in one shot stories in one tome. Featuring work from Dan Thompson, Pete Rogers, Richard Clements, Cy Dethan, Corey Brotherson, Roy Huteson Stewart, Rob Carey, Conor Boyle, Cormac Hughes, Gat Melvyn, Vicky Stonebridge, Paul Mclaren, Nic Wilkinson and myself (Steve Penfold).

Check out www.Unseenshadows.com for more deets.

Moon: The Bad Men um… Approacheth

A hero is nothing without his enemies. Where would Batman be without the disruptive influence of the Joker? Where would Superman be without the evil machinations of Lex Luthor? Where would Flight of the Conchords be without the Australian Embassy and Racist stall holders?

Now you’ve already met Agent Seven in Issue 1 of Moon but who is the shadowy puppet master pulling the strings behind the scenes? In Issue 2 we’ll meet a nemesis the likes of which Moon has never dealt. At the end of it vengeful soul from Man’s past will appear. In Issue 3 the main threat to the British Isles will be revealed. And then the true rivals will appear.

We realised early on that Moon is going to need to have a rough old time and by jove, that’s what’s happening. A whole host of enemies of innumerate shapes and various threats wait in the shadows. Moon is only as good as the threats he faces and we promise he’s going to get his arse booted about all over the shop.

Tally-ho for bad times ahead.

Moon’s back!! Page 1, Issue 2 Pencils!!

All those looking bereft at your copy of Issue 1 and all those afraid for the future of our hero following the cliffhanger of Issue 1, fear not – for Issue 2 is on its way. Page 1, Issue 2 is here to take a look at. As you can see – no much has changed in the life of Moon but it’s going to. Watch this space for more previews of Issue 2 (not too many though – as there’s some major spoilers on pretty much every page).

It’s just so damn good to be drawing him again.