Avengers

Captain Kirk versus Bane with a CIA arms budget!! THIS IS WAR Trailer.

This little beauty was No.2 most viewed trailer on Imdb between Avengers and the Muppets so highbrow rests in a bucket for another day!! Hooray!!

Tom Hardy takes the money with this little number and Chris Pine comes in out of the icy cold of space to throw in with this girlfriend safe gun game of a movie. It’s a romantic comedy for boys!! Two partners and top agents of the CIA kick ass on a daily basis together until they discover they’re going out with the same girl (Reese Witherspoon). Que zany shooting out of the sky of multi million dollar spy planes (federal offence), fast cars and kooky smashing up of nice looking restaurants. Drag factor of McG aside this is at least a film with Bane and Captain Kirk beating up on each other and your girlfriend might agree to see it. Who knows.

Assemble! Avengers Trailer Is Here!

[youtube http://www.youtube.com/watch?v=zatgnqdIefs&w=853&h=480]

 

Alright, you can stop checking the internet every day, the Official Trailer for Avengers is finally here. For all their faults there are still no other movies that make me cheer during trailers in the way that Marvel movies do. What can we infer from the trailer? Loki is a badass, Thor has a new outfit and Robert Downey Jr should be in every film.

Avengers is released in 2012.

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Robert Downey Jr Hits Scarlett Johansson on Avengers Set

I don’t normally post news stories like this, but this is too much of a giggle not to bring up. According to sources on the Avengers set Robert Downey Jr accidentally punched Scarlett Johansson in the face last week because he “pressed the wrong button” on his Iron Man suit.

Downey Jr was waiting to film a scene for the movie and decided to have a fiddle with some of the buttons on his suit, it turns out that his wandering fingers landed on the switch that controls his arm, causing it to swing round and catch his co-star in the face, knocking her off the stage. Fortunately Johansson was not badly hurt and was apparently able to laugh off the incident.

According to the source Downey Jr was apparently somewhat sheepish about the incident: “Robert, who couldn”t help because he literally can”t move in that iron suit, was beside himself – he kept apologizing and saying, Oh, my God, I”m so sorry!”

Avengers is out next year.

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Practitioners 33: Ivan Reis

Born in 1975, Rodrigo Ivan Dos Reis was born in Sao Paolo, Brazil and is a penciller with projects under his wing for Marvel, Chaos! but most prominently – and most recently – DC.

Blackest Night

For three years, Reis worked under Mauricio de Sousa in Brazil. De Souza is a prominent cartoonist who has created 200 characters for his popular series of children’s comic books. His characters are more Jeff Smith than Alan Davis and Neal Adams (as recent collaborator Geoff Johns described Reis’ drawing style) but clearly this time under the tutelage of such a prolific cartoonist taught the young Reis lessons in productivity.

He began his international career for Dark Horse working on titles such as Ghost, starting with Issue 17 and acting as regular artist until the title ended at Issue 36. During his tenure working on Ghost, he also worked on The Mask, Time Cop and Xena. Later, he worked for Lightning Comics (a fairly shameless comic company from the mid-nineties that offered nude variant covers for their female character titles; Hellina, Catfight and other female heroines).

For Vertigo, Reis pencilled an issue of Grant Morrison’s The Invisibles. He became better known for his work on Lady Death for Chaos! Comics. Written by Brian Pulido, Len Kaminski and Bryan Augustin, Reis drew for the title for three years (from 1999 to 2002). Lady Death was a Previews favourite, enjoying large scale pre orders and carrying a lot of popularity from the success of the nineties. It was from this good girl art that Reis enjoyed popularity, however it would be in working on much more unconventional artwork for a mainstream title that Reis would find legendary fame.

For Marvel, Reis worked on the Thing & She-Hulk: the Long Night, Avengers Icons: Vision, Captain Marvel, Iron Man, Defenders and Avengers. It was on Avengers Icons: Vision that Geoff Johns worked with Ivan Reis for the first time and formed a partnership that would literally turn a major publisher on its head and redefine the popularity of a 60 year old character.

It was with DC, after a series of short stints on a number of titles that Reis arrived at Green Lantern volume 4. A well known but slightly unnoticed character in the DC Universe, the number of Volumes was indicative of GL’s troubled past as a title. Consistently reinvented and repackaged, the story of Hal Jordan; test pilot and interstellar police officer with a magic ring had been transposed regularly. Driven nuts and killed in the 90s as part of the Return of Superman storyline and replaced by another character entirely noone was expecting great things from Green Lantern. However, under Geoff Johns the title was beginning to pick up considerable pace. The scope of the burdgeoning conflict and the introduction (after 60 years!!) of the idea that there might be other rings of alternative colour out in the universe that represented danger broadened the scope of the title considerably. Reis worked from Issue 11-38 alongside Geoff Johns, presiding over the introduction of the now famous Sinestro Corps storyline that kicked off the enormous Blackest Night storyline.

Throughout all of this Reis maintained an even tiller at all times. As Johns clearly became increasingly convinced of Reis’ capacity to produce highly detailed and dramatic artwork at incredibly short notice the scope of the title gained considerable pace. More than pure talent, Reis offered Johns a reliable and dependable creative crucible from which to expand the embryonic saga that would incorporate the entire DC Universe.

Not only in Green Lantern but in the Rann / Thanagar War mini series (written by Dave Gibbons) Reis demonstrated an incredible eye for detail, composition and anatomy. His grasp of an empty page allowed him to fill the page with hundreds of variant starship of a multitude of designs, realise the designs of almost limitless alien characters and still maintain scale and scope as a hole in the size of the universe was torn open by giant hands. The requests placed on Reis in the Rann / Thanagar war show a resolute faith in Reis’ capacity to complete the storyline and present it effectively. The complexity of what Reis has been continuously asked to do on behalf of multiple DC writers suggests that writers, if told that Reis is the assigned artist, know that they can let their imaginations run wild. In an industry that still relies on deadlines, even with increasing expectations being placed on artists in terms of quality and precision – that truly is priceless.

Reis simply makes it work. Whatever the script demands appears and is perfectly well realised. Features are precise and emphatic, representing the thoughts and feelings expected in any scenario. If thousands of figures are required they are provided in bold detail. Increased objects on a page in no way denotes how much or how little detail is applied either. In Reis’ work there are no shortcuts.

Green Lantern threw up yet more challenges. In order to create Red, Orange, Sinestro, Blue, Indigo and Violet corps/tribes each had to have all original characters, each with their own specific designs and detailing. Reis not only designed his own but then enhanced the work of others, adapting them into his own naturalistic style without losing the dynamism of the work being done in GL’s sister title, Green Lantern Corps. As the title that centred the epic, Reis was handling hundreds of different alien designs, at least 7 variants of uniform and insignia design which was then extrapolated and different for each different character of any shape in any Corps, as well as the introduction of DC’s Hall of Heroes as well.

It was with Blackest Night, the final part of the epic that Reis came into his own. 7 Lantern Corps, the entire frontline cast of DC, alien entities, dynamic twists, almost unlimited environments, all colliding on Earth. Reis didn’t miss a panel. Consistent, epic, engaging and faultless – cities collapsed, Lanterns were born, literally thousands of dead aliens fell from the sky, people turned to salt – all of it was incredibly realised at the hands of Reis. Whether it was stormy coastlines in battles against undead merpeople and sharks or porting into a Telephone call centre, Reis struck the right chord in every single scenario.

In Blackest Night his lack of ego and professionalism was there for all to see. It was never about quick tricks or advertising himself as artist but realising as perfectly as possible the best way to present an enormous, sprawling epic, incorporating literally hundreds of characters and incredible events. Reis proved himself a true Practitioner by being put in the spotlight and never missing a beat. His art is so advanced, every aspect of it so precise and well realised that it is impossible almost to fathom how he achieved it in the short time available to him. That is the mark of the true artist, to move beyond what can be done and instead extend to what is needed.

The cast of Brightest Day - Geoff Johns' and Ivan Reis' follow up to Blackest Night

Ivan Reis could’ve come from nowhere (as his Wikipedia profile suggests). His pencil work is now synonomous with the most prominent work being put into the public eye. Seemingly without faltering he has drawn every member of the DC Universe and incorporated a thousand different species into the Green Lantern Corps, a feat that the Green Lantern movie with literally hundreds of technicians and special effects experts are struggling to bring to the big screen. Ivan Reis is the epitomy of big thinking artists.

First Image From the Avengers Movie!

Well, Avengers has been filming for about a day and already there’s an official image from the set. I warn you though, it does contain one pretty major spoiler…

That’s right. The Avengers have chairs. Might as well not bother seeing it now, eh?

Seriously though, it’s nice to have a peek at the set and it means that the anticipation can officially begin. Time to re-read Ultimates, start declaring the Captain America movie to be passé and get the countdown clock ticking. The earth’s mightiest are coming.

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Hank Pym was NOT a Wife Beater!

Just stumbled upon this article on Jim Shooter’s blog and it’s quite an interesting read so I thought I’d do a quick share before heading to bed. Hank Pym hitting his wife is pretty much the most definitive moment in the character’s history so to hear the writer who created it admit that it may have been an accident is rather curious. Accident or not, it shifted Pym from from a character whose only defining trait was his bad pun of a name (He’s giant, he can control ants, he’s Gi-ant Man!) and turned him into one of the more interesting members of the Avengers. So in that regard I guess we should be thankful, though that sounds all kinds of wrong now that I read it back. Anyway, here’s the full text right from the Shooter’s mouth:

“Back in 1981 I was writing the Avengers. Hank Pym aka Yellowjacket was married to Janet Van Dyne aka The Wasp and things had not been going well for him for a long time.

Before I embarked on the storyline that led to the end of Hank Pym and Janet van Dyne’s marriage, I reread every single appearance of both characters.  His history was largely a litany of failure, always changing guises and switching back and forth from research to hero-ing because he wasn’t succeeding at either.  He was never the Avenger who saved the day at the end and usually the first knocked out or captured.  His most notable “achievement” in the lab was creating Ultron.  Meanwhile, his rich, beautiful wife succeeded in everything she tried.  She was also always flitting around his shoulders, flirting, saying things to prop up his ego.

As I was developing the storyline, I discussed the potential pathology of their relationship with a psychologist who happened to be sitting next to me on a five-hour flight.  The story made sense, he thought.  I went ahead with it.  During the time the story was running, I got a great deal of hate mail.  It worried me enough to ask Stan what he thought.  He said he got the same kind of mail in the ‘60’s regarding Peter Parker’s various romantic travails.  He asked me how Avengers sales were doing.  They were in fact, increasing by 10,000 copies per issue.  Stan said that people obviously cared passionately about what was happening to Hank and Janet, as if they were real people.  That’s the key.  And he said, “Don’t worry about the mail.”

In that story (issue 213, I think), there is a scene in which Hank is supposed to have accidentally struck Jan while throwing his hands up in despair and frustration—making a sort of “get away from me” gesture while not looking at her.  Bob Hall, who had been taught by John Buscema to always go for the most extreme action, turned that into a right cross!  There was no time to have it redrawn, which, to this day has caused the tragic story of Hank Pym to be known as the “wife-beater” story.

When that issue came out, Bill Sienkiewicz came to me upset that I hadn’t asked him to draw it!  He saw the intent right through Hall’s mistake, and was moved enough by the story to wish he’d had the chance to do it properly.

By the way, I was too busy to finish the story, so Roger Stern took over two-thirds of the way through.  I thought he did a great job.  He’s an excellent writer who doesn’t get enough credit.”

Fascinating stuff…and before you ask. No I don’t think Mark Millar’s ant-rape take on the event in Ultimates was an accident.

Don’t make me feel small, Bunkerites. You won’t like me when I’m small.

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The Greatest Captain America parody trailer you’re ever likely to see…

Don’t read. Watch.

‘Do you think this A on my helmet stands for Fuck yeah? Because it does!’

Within a week of the new Captain America coming out we give you one of the greatest parody trailers ever! Its Captain America vs Trey Parker and Matt Stone’s Team America. The creation of a slightly overwhelmed CelticPredator on Youtube its hard to think of a better mash up. Amazing!

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