Batman

Practitioners 35: Andy Kubert

Andy Kubert was born on February 27, 1962, the third member (after father Joe and elder brother Adam) of one of the most famous comics artist families.

While Kubert started at DC Comics, drawing Adam Strange and the Batman Vs Predator crossover, he is probably best known for his work at Marvel Comics, specifically the company’s X-Men titles. With the move of Jim Lee to Image in the early nineties, Kubert (who had already been providing cover art – including Gambit’s introduction on Uncanny X-Men and a brief stint as that titles penciller) became penciller for what was the No.1 title in the world. Starting at Issue 19, Kubert caught the potential disaster of Lee’s departure and maintained the quality. Not dissimilar to Lee’s style, Kubert maintained the lightly lined, crosshatched, clear and concise style readers had enjoyed and actually clarified the panels more so than Lee himself.

Andy Kubert’s run on X-Men was a game changer as it maintained the quality of the X-Men line through the all important X-over event that captured the work of Peter David, Joe Quesada, Adam Kubert and Greg Capullo – all legends in the field. Andy Kubert was penciller on the flagship title of not just the X-line but Marvel itself and continued to push out exceptionally engaging compositions throughout the run. While his work was perhaps less accurate and realistic than his brothers (working on Wolverine at the time), Andy’s work had a subtlety and finesse that his brother didn’t. Relying on light line work and fine detail to augment the story, Kubert’s style was more illustrative and naturally drew the onlooker into the page. Kubert’s grasp of emotive splash pages and unique angles and physicality gave new life to characters such as Gambit and Beast, their natural gymnastics perhaps less impactful under another, less confident artist. His work continued to develop and found itself increasingly enhanced by new colouring techniques as the pencil and ink linework could be more easily brought out of the page; the background and foreground becoming more distinct; a minor detail that his early X-Men work suffered from at times. Far from being a Jim Lee imitator, Kubert was his own artist, developing the characters away from Lee’s original designs however slightly.

Offering it a lighter touch, the emotional impact of the events in the story found greater scope. The romance between Gambit and Rogue that encapsulated the intelligent writing that was taking place in X-Men developed naturally under Kubert’s artistry.

In 2003, Kubert worked on Neil Gaiman’s Marvel 1602, a beautifully rendered story dropping the most central Marvel characters into the centre of the Elizabethan England at the end of Monarch’s reign. Kubert’s linework matched perfectly the lighter ink work of the period. His representations of the characters timeless and at the same time recognisably the characters of modern day. In it enhanced pencil was used, with the image painted from Kubert’s pencil line work. The effect was staggering and made clear Kubert’s natural illustrative style. Although always precise and meticulous, Kubert’s focus is not always on the central character and he enjoys playing with compositions, not necessarily filling any panel with the characters but allowing the surroundings to impose on the action. This is undoubtedly the work of an assured artist. To be able to jump from X-Men to a project like 1602 successfully shows the range of work Kubert is capable of handling.

Both Andy and his brother signed exclusive contracts to work for DC comics in 2005. While his brother Adam has returned to Marvel comics following his 3 year deal with DC; Dan Didio has confirmed that Andy still has projects with DC. Fundamentally Bat related. Kubert provided covers for Blackest Night issues of Green Lantern and Blackest Night: Batman miniseries. Andy worked with his father Joe on the first two issues of DC Universe Legacies, a 10 issue miniseries chronicling the history of the DC Universe. On top of this Andy contributed to Batman 700, teaming up with Grant Morrison to tell more tales of Damian Wayne as Batman in the future of the over-sized anniversary issue. ‘Flashpoint’ – a Flash centric event is due to start this year (2011).

Kubert is an artist who alters the projects he touches. He has handled two of the most well known franchises for the two largest comic book companies in the world and left all concerned wanting more. The youngest Kubert, Andy had something to prove and it can certainly be argued that his work is considerably more popular and well received than his brother or father. Having also handled Millar’s Ultimate X-Men – a challenge as he effectively anchored the original designs in the mid to late 90s – it’s clear that Andy Kubert is a quietly famous and exceptional talent among equally talented artists. This cannot be ascribed to genes alone, as Kubert has handled the most well known projects in the world and made them more memorable.

First image released of Tom Hardy as Bane in the Dark Knight

The first picture of Tom Hardy as villain Bane in the massively anticipated ‘Dark Knight Rises’ has emerged online. The web was all a hub-bub as bat-fans went wild. On Friday Warner Bros. launched a dedicated website (thedarkknightrises.com), featuring a blank black page and people chanting. Eerie stuff and perhaps indicative of either a following Bane gathers or sounds from his upbringing. No doubt all will be revealed. Doubtless Nolan’s Bane will make more of his ruthless influence and tactical prowess than his previous incarnation in previous franchise killer Batman and Robin, in which Bane was a mute plant beast cum nacho libre style wrestler. Kooky.

Top marks to WB though for trying to drag out the intrigue surrounding the reveal. Later in the day a mysterious Twitter account started tweeting a section of the image. The picture was supposed to be revealed gradually, using the personal twitter icons of retweeters as the individual pixels but super fan hackers cracked the source code, revealing the whole image. The Dark Knight himself’d be proud.

So here he is;

What’d you reckon?

Practitioners 30: Jeph Loeb (Part One)

Hate is a strong word. Its a word that slips easily from the tongue on a myriad of subjects. It can be applied forcefully and popularly to many things; the ignorant actions of a maniacal religious fundamentalist and terrorist, the despotic and arrogant foreign policy of industrial nations at times. It can be used in a more personal and specific vehemence, reactionary to a set of circumstances, aimed at a personal and immediate target of contempt; such as getting up in the morning or the discovery of a rainy day. But it can also be applied more blithely and at times more aggressively at figures that have dared raise their heads above the parapets of creative output and deemed themselves worthy of outputting material on the popular stage. One such man to have created such contempt is Jeph Loeb.

Red Hulk makes a good point.

A marmite figure in the starry fermament of the comic book industry sky, Loeb has been the subject of just such a vehement and outspoken attack by me, in the middle of Forbidden Planet. Shamefully, as I make my way, hopefully into the industry I always hoped to work in I am guilty of declaring my ‘hate’ towards a figure I’ve never met. I have existed in a state of contempt of Jeph Loeb for many years now.

There are numerous reasons for this; He dips. Dancing around between industries (Television and Comic book primarily) he never remains on anything for very long. He enjoys a symbiotic relationship with comic books and appears and reappears occassionally from time to time as he feels like it. And they just keep letting him in. As a freelancer, desperate to enter the industry myself it is perhaps galling to see someone allowed to choose when he feels like working. In particular when everything I’ve read of his is hackneyed bollocks. I’d like to point out I haven’t read everything he’s written – or even much but never the less the majority of it is commercially minded, heartless pap with almost no reverence to what’s gone before (pretty much just channelling my rage about Ultimates 3 there). This is jealousy. The most arrogant and divisive motivation to hate. Effectively I’m saying – I could do that, get out of my way – you’re not even doing that good a job – why do you get to be in that position and I don’t?

Next is the most recent actual comics output. Red Hulk: Hulk but angrier. That’s right. Angry Hulk, the angriest of the angry characters in the Marvel Universe. Capable of splitting the crust of the planet with his anger in fact while green is now red. And he’s angrier. This off the back of the exceptional Planet Hulk. A moment in which The Hulk had found pathos and scope and strength in character almost unseen since he was handled by the almighty Peter David (with deft subtlety and aplomb), Marvel choose to hand it to Loeb. This would be fine except that Loeb is now reknowned for taking existing characters at their most beloved and popular and shitting on them from a great height seemingly because everyone knows the smell of shit. It’s popular and well known and people do talk about it Loeb, no doubt. But nobody actually likes the smell of shit.

Then, there’s Ultimates 3. Ultimates but more Baywatch! People like Baywatch. No, they don’t Loeb. They like tits. Baywatch had tits in it. So did Ultimates 3 thanks to the yank up the ranks of Valkyrie; an admittedly nubile and stunningly beautiful warrior maiden, ‘mysteriously’ imbued with powers that levelled her up to Avenger status. Happily. Off the back of Mark Millar’s gloriously dystopian military- industrial complex super human thriller that reinvented central characters and made them as recognisably flawed as the best literary characters, Loeb was handed free reign of the book. Saved effectively by Joe Maduriera’s stunning artwork, Loeb presented us with a morally bankrupt set of misanthropes seemingly happy to watch each other having sex on a wide screen (and that was the opening page) and never really leaving the house. Plodding, self absorbed, hackneyed and laboured Ultimates 3 was a commercial success. I own it, I like reading it. But I like watching Mega shark vs Giant Octopus so don’t pay any attention to me.

I also hate Heroes. Effectively taking 30 years of X-Men continuity and development and repackaging as an ‘original’ show on ABC. Enjoyed by millions and considered ‘original’ by those who never picked up an X-Book, this one just plain makes me angry. Loeb was writer and co-producer, following a run on Lost and receives my rage through this by association.

But who is he? This hate figure I’m so determined to despise? Check in here on Thursday to find out as I actually take a crack at uncovering who Loeb is to the comic industry and whether he has, does or should have the credentials to be considered a Practitioner….

Batman Acts Like a Tool, Gets His Ass Kicked

[youtube http://www.youtube.com/watch?v=kZfmVx_AupQ&w=560&h=349]

So it seems that Batman was just cruising around the streets, trying his moves on the ladies and wasn’t having a whole lot of luck. So he apparently decided to demonstrate his Bat-Fu on a passer by with…well, just watch and see.

He should have just brought the car. Chicks dig the car.

D
x

The Dark Knight Is Confused

[youtube http://www.youtube.com/watch?v=vbgLapRAloQ&w=640&h=390]

This is kind of old (about as old as the movie it’s parodying to be exact) but it’s managed to avoid me until this week. Turns out Batman is pretty confused about some of the plot points in his movies and he’s decided to communicate this through the noble medium of rap. You should have a look at the rest of the the Key of Awesome’s stuff too, it’s very funny.

D
x

Kapow Diary 1: View from the desktop.

We arrived at Kapow comicon early ready to set up and were presented with a full scale building front featuring Hal Jordan (photos on their way). I’d been in the hangar that is the Business Design Centre, Islington before for a job interview for a creative recruitment consultant position at a neat little place at the back of the hall. Its an enormous hangar space with windows running across the ceiling and the business centre placed in rectangular office spaces at its centre. While there was IGN gaming stands at the front – and a massive red balloon – the convention proper took place on the top of these office spaces underneath the curved hangar roof. Talking about it now we’re pretty sure – given the success of the weekend – it’ll likely upgrade to Excel at some stage but this was the best venue I’ve stood inside for a long old time. The difference was that this time we had a convention under our belts and more than a hundred sales. Kapow was where we were going to prove that Moon can shift against the best of the best – lined up against Gosh! and Markosia et al this weekend was our testing ground – and its fair to say it went well.

Not faultlessly. While Dan was his usually damn organised self I was still me and while I did the things I do best – I also made sure – in order to keep things even- that I create a little weird. In a weekend in which a famous director would refuse to sign our book because it wasn’t his, in which I got a stick of rock I couldn’t get rid of and created a distinctly awkward air around some of my heroes, its fair to say there was an incredible amount of weird. Finding my name on the front of a book I had nothing to do with was a highlight. Over the week I’ll fill you in on what my weekend was like…. I was planning a straightforward single blog but I’ve listed them down and I’ve got a surprising amount of material. A lot of it involving Frank Quitely. Sadly for him. Poor bastard.

But taking to table 72 we were facing the DC stand – I wasn’t aware of a Marvel one. While I sidestepped out pretty much for all of Saturday thanks to my low threshold on caffeine and my attention deficit issues, Dan sat manfully slowly losing his mind to the gods of unreleased gaming. On the opposite view screen, between a table selling fairly lacklustre and pretty unmemorable DC images and a fairly grim looking plastic Superman statue which we began to think was staring us out, was playing three trailers – totalling no more than 5 minutes material in total – on repeat. For the sake of completeness and in order, partially, to drive Dan even more mental I’ve posted the three up below. Trailer for Arkham City (already posted here by Dan), an in game footage preview of Arkham City and the CG trailer for the Green Lantern game.

While all three (the Arkham trailer) in particular are a work of CG art, advancing the cinematic further than its ever been before – if me or Dan see one of these again we are going to take whatever its playing on and send it stone age. We like you IGN but more hour and a half trailers please in future – with musical interludes. Maybe episodes of the Muppet show. Just a suggestion.

The view from above at the Business Design Centre, Islington. Photo by Mitch Layden from Glasgow.

Chris Nolan Justice League Movie in 2013?

The LA Times is reporting today that the movie version of The Justice League may not be quite as dead as everybody once thought. In an interview with The Times, Warner Motion Picture Group President, Jeff Robinov, said that his priority so far as superhero movies goes is to bring the JLA to the big screen in 2013. Let’s just go over that one more time: the man who has ultimate say in what movies Warner Bros. make says that he wants to see a movie featuring the Justice League within two years! Ok, breath.

This isn’t the first time that the League have almost found themselves in a movie. Back in 2008 a film version of the comic was all set to go into production when the writers strike and tax issues killed the project stone dead. Since then it’s been lurking in development limbo because nobody wants to upset the money tree that is Chris Nolan’s Dark Knight series by bringing out another movie with Batman in it. But with Nolan set to wrap up his Gotham opus next year, it looks like Warner is keep to pick up right where they left off. But oh lord, there’s more:

“We have the third Batman, but then we’ll have to reinvent Batman…Chris Nolan and [producing partner and wife] Emma Thomas will be producing it, so it will be a conversation with them about what the next phase is.” – Jeff Robinov

That’s right folks. Chris Nolan will be stepping in to produce the project. Ok, so it’s not the directors chair, but there’s plenty of time for a Hobbit esque incident to grant us that wish too. What’s more, scripts are already in production for both the JLA movie and the spin-off Flash and Wonder Woman movies.

A timescale, a script and Christopher Nolan? It looks like Warner may finally be getting serious about DC movies. Sweet.

D
x

Practitioners 11: Frank Quitely

It would have been the simplest thing to allow the artwork above to illustrate all I would like to say about Frank Quitely. A late starter, like my good self (born Vincent Deighan, 1968, Glasgow, Scotland) he didn’t appear on the comic illustration scene until 1990 and almost immediately set the comics world on fire. Through numerous (but not numerous enough) projects he has revolutionised the look of the greatest and the mightiest of the two biggest comics companies in the world. A fan favourite – his work alongside Mark Millar and most prominently Grant Morrison has proved that the comic industry should rely less on unbreakable rules and the reliability of its staple characters and to rely more heavily on considered, respectful revolution – Quitely speeding the gradual revolution of characters and always making clear missed opportunities by less inspired or less talented artists.

Frank Quitely is a one man visual revolution. Simultaneously exciting, original and edgy he is also traditional, technically near perfect and highly detailed. There is no one in comics complaining about Quitely except that there isn’t enough of his work. Look above. Jesus. He takes the most highly recognisable characters and the sum of all of their character and previous incarnations and compounds and beautifies them – bringing forwards inherent elements that were always there and remained unearthed visually and enhancing the elements that had already been visible.

Take Superman; a man drawn by multiple masters previously in various guises; either adapting the existing image of the Man of Steel or developing their own – however I’d claim that none have taken all of the incarnations and public awareness of Superman and collected them more or as self assuredly as Frank Quitely. At once superhuman and godlike in his actions and stance. Powerful and Human in his build and appearance; the proportions offered plausible and close to perfectly realistic for a powerful human man and simultaneously carrying an expression you could see on anyone you might meet with Superman’s personality; pride, strength, clarity of vision and purpose. In one simple line work Quitely has encapsulated almost every word and panel drawn of one of the most prominent and world-reknowned of the comic book Super heroes.

The ‘next’ at the base of the image an addition by the website I tore the image from but could as easily simply say ‘Nuff said. Move on.’ I was even tempted to simply leave this image as a testament to the natural ability of one of the foremost artists working in the field today.

Following a 14 year career alongside Morrison, Quitely has clocked up star turns with Authority (with Mark Millar) JLA, New X-Men, All Star Superman, WE3 and Batman and Robin. But Quitely didn’t start in comics at all until 1990 – coining the Frank Quitely moniker as a spoonerism of quite frankly in order to cover his real name, Vincent Deighan due to concerns his family would be upset by the content of his first book – the Greens, a rip on the Boons – a comic strip created by DC Thompson. He needn’t have worried.

His awards include;
2005 Best Penciller/Inker Eisner Award for We3 (tied with John Cassaday)
2006 Best New Series Eisner Award for All-Star Superman with Grant Morrison
2007 Best Continuing Series Eisner Award for All-Star Superman with Grant Morrison
2007 Best Artist Harvey Award for All-Star Superman
2009 Best Continuing Series Eisner Award for All Star-Superman with Grant Morrison

I’m going to stop talking and let the artwork above speak for itself. Nice and Quitely.

The Twelve Geeks of Christmas – The Dark Knight meets Superman

As a thank you for all your support over our first few months of being operational, we’re giving you twelve days worth of geeky videos, hand picked and guaranteed to raise a smile. Enjoy.

[youtube=http://www.youtube.com/watch?v=01vojXK_mnA&fs=1&hl=en_GB]

A bit of Batman fun courtesy of CollegeHumour.com. Gotham’s dark defender comes face to face with superdouche.

Tomorrow, we get musical.

D
x

Page 3 of 41234