Christopher Nolan

Practitioners 4: Brian Azzarello

As a catch up for all new visitors to Beyond the Bunker, we’ll be representing the original Practitioners series 1-55 (Simon BisleyChris Bachalo and featuring the most influential comic creatives in history). Thoroughly incomplete but featuring legends like Stan Lee, Jack Kirby, Frank Miller and Alan Moore already more will be hitting the site every two alternate weeks. For now though, sit back every Tuesday for a run-down of the men and women who created the comic industry we know today. (Or check the full list in the menus above). This week: 100 Bullets and Before Watchmen: Comedian scribe Brian Azzarello.

Brian Azzarello has written for Batman (‘Broken City’, with Eduardo Risso and Batman/Deathblow: After the Fire) and Superman (‘For Tomorrow’, with Jim Lee). Prior to his rise as a writer he was best known as the line editor for Andrew Rev’s incarnation of Comico, a middle American publisher responsible for Robotech, Jonny Quest, Mage; The Hero Uniscovered and Grendel before going bankrupt in 1990.

But his greatest works are the investigation and subsequent revelling in the murky underbelly and imagined clandestine power houses of the american continent in the incredibly indelible and affecting 100 Bullets – which ran from August 1999 to April 2009. It was a masterwork.

It was initially presented as a set of episodic, self-contained storylines, an occasional appearance by the seemingly omnipresent Agent Graves the only connecting detail but by its completion it made clear a nationwide network of criminal empires resting behind the accepted powers-that-be that touched (and consumed) the lives of everyone inside it.

The Series won the 2002 Harvey Awards for Best Writer and Best continuing series (as well as Best Artist for his long term creative partner Eduardo Risso) and 2001 Eisner Award for Best serialised story, and in 2002 and 2004 Eisner Award for Best Continuing Series.

Although diffuse, the main reasons for this success were most likely Azzarello’s uncanny capacity for realistic use of regional and local/dialects as well as often oblique use of slang and metaphorical language in his character’s dialogue. His capacity for subtle and accurate characterisation and his capacity for dynamic and often potentially debilitating plot twists while never losing control of the inherent details that made it so gripping.


He had worked with Eduardo Risso on Jonny Double and went on to work with him on Batman: Broken City applying the same noir and pulp principles reminiscent of the best Miller, Janson and Varley. The intuitive sense of layout and pacing between them formed one of the most effective partnerships in comics history, underpinned by Azzarello’s understanding of provocative and engrossing storytelling.

His dabble into self publishing was (and still is) a rip roaring success with Loveless; a noir Spaghetti Western following the trials of an outlaw couple in the desolate and uncertain years following the American Civil War.

His most recent work of note is Joker for DC comics in which Azzarello brings the long standing image of the DC’s comic book Joker closer to that of Christopher Nolan and the late Heath Ledger’s version from The Dark Knight (2008). He represents far less an ethereal and spiritual threat to Gotham than he does a more potent and vicious one with real verve and clarity in his criminal intent. Something that in the hands of other writers might lessen a long beholden character, but in the hands of Azzarello (aided ably by Lee Bermejo) it finds greater potency in its compactness. An affecting writer, well worth a look if you get the chance.

Dark Knight Rises: Trailer 3

Hold on to your Batarangs Bat-fans as the slow climb to the top is almost over before the inevitable thrill-drop ride of Dark Knight Rises, Christopher Nolan’s bone crunching, pseudo-realistic, city street demolishing Batman trilogy. From the looks of it this will be the biggest so far, the scale visibly going well beyond that of the previous two as Bane kick drops Brucey out of Gotham City and it would appear tries his own revolution on the streets of Gotham. Exactly what the US Army would have to say about that is left decidedly out but it looks like Batman might just return to save the day.

Based on the Broken Bat series of the early 90s that introduced Bane it suggests a fight back from absolute defeat at the hands of Bane (something they’ve made no attempt to keep secret in the trailer) but there are plenty of questions left unanswered. Like how Catwoman influences things, how Commissioner Gordon will help and where he stands on the hunt for the Batman following the death of Harvey Dent in the last film and how Joseph Gordon-Levitt managed to work his way into this film as well.

There is the issue of how it will all end. Comic book characters have proven increasingly resilient to rebirths. There has been absolutely no ambiguity over whether this is the last of the trilogy and history decrees it’d be 10 years before a reboot (by which time the fans’ll be crying out for it anyway) – so there is, I think, a very real possibility that the Dark Knight will fall in the Dark Knight Rises. The themes apparent in the trailer would suggest that figureheads and leadership are clear here – could Batman be more influential dead?

I feel a new BTB Investigates coming on….

Man of Steel: First look at the new Superman

Despite being two years away, Zach Snyder’s reboot of the Superman franchise has acknowledged that folks all over the world’d like to take a look at how the new Man of Steel, Englishman Henry Cavill shapes up. Christopher Reeves has occupied the role better than any other actor, as pretty much everyone, still, refers to how much or how little any new actor taking on the role looks or doesn’t look like him. Giving a nod to fans all over the world, WB have released this image of the Man of Steel. It reportedly doesn’t relate in any way to the intended plot of the final movie but is there to give folks something to moan about. Most notably the lack of red pants. It looks like Henry Cavill has what it takes visually to fill the red rubber boots and with steady hands like Christopher Nolan involved in the process hopes remain high.

The Bane of Batman’s Life: Dark Knight Rises – Official Teaser Trailer

Something this way comes. Based on this teaser trailer still who knows what. The chanting referred to in accounts of WB’s teaser site earlier in the year is still there which suggests (perhaps) that Bane is a little more than anyone expects – or it could be a high falutin’ Wrestling-style theme tune. There’s still a lot to answer but one thing is for sure – Batman is going mano-a-mano against Bane on some roof top somewhere.

Bat, Cat and back: Dark Knight Rises (Fake) Trailer Unleashed

http://www.youtube.com/watch?v=LO3LL5kvJkw

Here it is. The Dark Knight Trailer for the new movie from the Christopher Nolan franchise. The Stanley Kubrick of blockbusters, Nolan has clearly pieced together a more coherent set of plot threads than previous Directors (Batman and Robin anyone) however this is a step up again from the Two Face / Joker combo of Dark Knight Returns. Catwoman, Bane and I suspect Robin Williams as Hugo Strange is blended in with the renegade storyline from the previous film and any personal plot line to throw in. However Selina Kyle makes up the love interest in this case and it looks like messrs Fox and Pennyworth (Freeman and Caine) are in their holding positions on this one. Nice to see the Scarecrow still representing a through line for the films. C’mon Nolan – this looks good….

…. or is it?

First image released of Tom Hardy as Bane in the Dark Knight

The first picture of Tom Hardy as villain Bane in the massively anticipated ‘Dark Knight Rises’ has emerged online. The web was all a hub-bub as bat-fans went wild. On Friday Warner Bros. launched a dedicated website (thedarkknightrises.com), featuring a blank black page and people chanting. Eerie stuff and perhaps indicative of either a following Bane gathers or sounds from his upbringing. No doubt all will be revealed. Doubtless Nolan’s Bane will make more of his ruthless influence and tactical prowess than his previous incarnation in previous franchise killer Batman and Robin, in which Bane was a mute plant beast cum nacho libre style wrestler. Kooky.

Top marks to WB though for trying to drag out the intrigue surrounding the reveal. Later in the day a mysterious Twitter account started tweeting a section of the image. The picture was supposed to be revealed gradually, using the personal twitter icons of retweeters as the individual pixels but super fan hackers cracked the source code, revealing the whole image. The Dark Knight himself’d be proud.

So here he is;

What’d you reckon?

Chris Nolan Justice League Movie in 2013?

The LA Times is reporting today that the movie version of The Justice League may not be quite as dead as everybody once thought. In an interview with The Times, Warner Motion Picture Group President, Jeff Robinov, said that his priority so far as superhero movies goes is to bring the JLA to the big screen in 2013. Let’s just go over that one more time: the man who has ultimate say in what movies Warner Bros. make says that he wants to see a movie featuring the Justice League within two years! Ok, breath.

This isn’t the first time that the League have almost found themselves in a movie. Back in 2008 a film version of the comic was all set to go into production when the writers strike and tax issues killed the project stone dead. Since then it’s been lurking in development limbo because nobody wants to upset the money tree that is Chris Nolan’s Dark Knight series by bringing out another movie with Batman in it. But with Nolan set to wrap up his Gotham opus next year, it looks like Warner is keep to pick up right where they left off. But oh lord, there’s more:

“We have the third Batman, but then we’ll have to reinvent Batman…Chris Nolan and [producing partner and wife] Emma Thomas will be producing it, so it will be a conversation with them about what the next phase is.” – Jeff Robinov

That’s right folks. Chris Nolan will be stepping in to produce the project. Ok, so it’s not the directors chair, but there’s plenty of time for a Hobbit esque incident to grant us that wish too. What’s more, scripts are already in production for both the JLA movie and the spin-off Flash and Wonder Woman movies.

A timescale, a script and Christopher Nolan? It looks like Warner may finally be getting serious about DC movies. Sweet.

D
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Gary Oldman on Dark Knight Rises

Gary Oldman is an outspoken and seasoned actor – if he says something is good it is going to be very good. Here he gives a fair bit of insight into the security used by Christopher Nolan to keep the script under wraps and very little insight into what we can expect except that it is going to be great.

Trust the Oldman.

Practitioners 4: Brian Azzarello

Brian Azzarello has written for Batman (‘Broken City’, with Eduardo Risso and Batman/Deathblow: After the Fire) and Superman (‘For Tomorrow’, with Jim Lee). Prior to his rise as a writer he was best known as the line editor for Andrew Rev’s incarnation of Comico, a middle American publisher responsible for Robotech, Jonny Quest, Mage; The Hero Uniscovered and Grendel before going bankrupt in 1990.

But his greatest works are the investigation and subsequent revelling in the murky underbelly and imagined clandestine power houses of the american continent in the incredibly indelible and affecting 100 Bullets – which ran from August 1999 to April 2009. It was a masterwork.

It was initially presented as a set of episodic, self-contained storylines, an occasional appearance by the seemingly omnipresent Agent Graves the only connecting detail but by its completion it made clear a nationwide network of criminal empires resting behind the accepted powers-that-be that touched (and consumed) the lives of everyone inside it.

The Series won the 2002 Harvey Awards for Best Writer and Best continuing series (as well as Best Artist for his long term creative partner Eduardo Risso) and 2001 Eisner Award for Best serialised story, and in 2002 and 2004 Eisner Award for Best Continuing Series.

Although diffuse, the main reasons for this success were most likely Azzarello’s uncanny capacity for realistic use of regional and local/dialects as well as often oblique use of slang and metaphorical language in his character’s dialogue. His capacity for subtle and accurate characterisation and his capacity for dynamic and often potentially debilitating plot twists while never losing control of the inherent details that made it so gripping.


He had worked with Eduardo Risso on Jonny Double and went on to work with him on Batman: Broken City applying the same noir and pulp principles reminiscent of the best Miller, Janson and Varley. The intuitive sense of layout and pacing between them formed one of the most effective partnerships in comics history, underpinned by Azzarello’s understanding of provocative and engrossing storytelling.

His dabble into self publishing was (and still is) a rip roaring success with Loveless; a noir Spaghetti Western following the trials of an outlaw couple in the desolate and uncertain years following the American Civil War.

His most recent work of note is Joker for DC comics in which Azzarello brings the long standing image of the DC’s comic book Joker closer to that of Christopher Nolan and the late Heath Ledger’s version from The Dark Knight (2008). He represents far less an ethereal and spiritual threat to Gotham than he does a more potent and vicious one with real verve and clarity in his criminal intent. Something that in the hands of other writers might lessen a long beholden character, but in the hands of Azzarello (aided ably by Lee Bermejo) it finds greater potency in its compactness. An affecting writer, well worth a look if you get the chance.