Truly, sometimes things just combine into divine comedy. Eddie Izzard’s great at the best of times but you blend him up with Darth Vader trying to get Penne Aribiattar in the Death Star Canteen and then uploaded as a video in Lego by Thorn2200 and its no surprise that its almost got 14 million hits. Absolute three way genius!!
Torn by good & evil and an incestuous love affair, a lonely and depraved Darth Vader has a nervous breakdown. It was created entirely by using the true voice of Vader, Mr. James Earl Jones HIMSELF!
Watch it love it live it! Spread the word… (the actual words Akjak – creator of this piece of comedy sith genius).
While we are revealing the development work for the Lost Jedi project every second Wednesday; we thought we should pay homage to the trilogy that spawned it. Every second Wednesday we will be posting up articles, videos and Star Wars mockery. Check back here each week to see what we’ve got. First, Darth Vader being a wise ass.
Hard to know what was going into George Lucas’ head when the Star Wars trailer went out in Cinema Screens throughout the US. In the time it had taken him to create Star Wars Pinewood studios employees had been openly laughing at the the weird menagerie of creatures parading between the sound stages. A young director with a decent success under his belt, Lucas was dealing with dissent and boredom from his actors, most prominently the seasoned actor Alec Guinness. If you credit Lucas with nothing else it has to be vision and tenacity as he stuck resolutely to his lasers. Luck is in there somewhere but in 1977 something kicked off in cinemas throughout the world that literally changed the shape of popular culture for the remaining final fifth of the Twentieth Century.
Introducing in the first three minutes, characters that would become cultural icons, Darth Vader (voted No.1 Villain of all time in an Empire poll), C-3PO, R2-D2 (later to get their own series) and Princess Leia. The assured nature of what new audiences saw on that screen was due to Lucas’ faultless vision and willingness to experiment.
On a reportedly shoe string budget of (equivilent) $1 Million (a pittance for a sprawling space saga) for special effects some of the effects footage was filmed using a truck, firecrackers and a moving truck.
Produced with a budget of $11 million and released on May 25, 1977, the film went on to earn $460 million in the United States and $337 million overseas, surpassing Jaws as the highest-grossing film of all time at the time. Among the many awards the film received, it gained ten Academy Award nominations, winning six; the nominations included Best Supporting Actor for Alec Guinness and Best Picture. Lucas has re-released the film on several occasions, sometimes with significant changes; the most notable versions are the 1997 Special Edition and the 2004 DVD release, which have modified computer-generated effects, altered dialogue, and added scenes. As if you didn’t know that already.
But more than that – it has become part of a tiny canon of cultural flagships – markers of culture throughout history – culturally equivalent (at least thus far though history’ll tell) as the Odyssey, Macbeth and (incredibly) with the effect of a religious text. If you are in doubt attend the same conventions I do and keep your eyes open for Stormtroopers.
What was presented to an excited public was this and still to this day, those who attended the premier screenings across the US, UK and ultimately the globe still talk about the awe inspiring moment the star destroyer flew overhead. From that moment on, with hindsight, it seems obvious now that Star Wars was a revolution that would spawn a million more stories and an entire universe of possibilities for a multitude of fans.
George Lucas; we salute you.
Welcome to the new Beyond the Bunker Star Wars zone. Every Wednesday there will be something from the enormously expansive Star Wars Universe. Be it from the core films I-III or the classic IV-VI, the expanded universe – Clone Wars, Droids, Ewoks – even the Holiday Special if we can find it. And the funnies too.
Interspersed among the existing material will be my little fanboy creation. The Lost Jedi was a title I developed in a fanboy fever while serving as a Jedi/Rebel Trooper at the Star Wars Exhibition in London. Working with a host of exceptional actors, performers, fight trainers and technicians we performed 8 or more Jedi Schools in the central chamber of County Hall, Westminster, in the heart of London. Still the greatest job I’ve ever done – I spent the day training younglings to fight like a Jedi, die like a Rebel Trooper. In my time there, surrounded by the sights and sounds of Lucas and John Williams it was difficult not to be completely overwhelmed by it all.
In a central chamber lay the shining corvette, spitfiresque frame of a Naboo Fighter. To the side of that Wookee costumes and a speeder like that which was ridden by the Skywalkers on Endor. In a darkened room at the back of the exhibition stood a solitary figure. A 7 foot tall goliath in a glass cage. Darth Vader’s suit loomed in the darkness and captured everyone’s imagination that entered. There was never noise in that room, only an eerie and awed hush as tourists stood and basked in a character that is now utterly synonomous with evil and tragedy. And cool.
Expanding so much further beyond mere cinema, Star Wars is an ideology nowadays. A universe that has influenced popular and scientific culture. Star Wars, perhaps more than any other cultural phenomenon of the late twentieth century has the capacity to move into historical lore and take a place in mythology. At its most challenging and insistent, the material developed by the films (even with the less impressive prequels) the cultural and ideological impact of Star Wars gives us insight into the breeding of myths of Gods and Monsters from ancient times. A modern day Odyssey perhaps, it shows us the way religious texts expand and are embraced, whether originally intended by their creators or not. If anything it shows how once a cultural phenomenon is formed it can be expanded upon and used to generate enormous monies for the creator.
Offering ideologies, an alternative global religion (?!), expansion in gaming, cinema and digital technologies – both in sound and light (and magic), universal themes and characters and having been embraced by effectively billions globally noone should underestimate the width of influence a Dark Lord of the Sith might have.
Jedis unite. For Star Wars has arrived on Beyond the Bunker. Featuring articles, fan films, reviews and the Lost Jedi fan material we are planning to fill the next six months with insight and delight associated with the Star Wars Universe. I’ve got a bad feeling about this….
Next Week: The Lost Jedi. Part One.