Lucasfilm

George Takei intervenes in Star Wars / Star Trek Row

When two galaxies collide only one man can stop the inevitable onslaught. The two most unpredictable members of the cast of Star Wars and Star Trek started to go at each other, like a terrifying game of chicken between the Millenium Falcon and the Starship Enterprise. When William Shatner started to flex his ‘clearly visible’ muscles in calling Star Wars out, Star Wars’ super slugger Carrie Fisher came pounding in to the ring like a rogue asteroid with a love of sun chairs. Things were looking tense as these media giants began to wade in – breaking standard protocol by getting cheeky about weight right out of the Stargate. The fates of both franchises now rested on one man’s tiny shoulders…

‘Douche’ identifier and King of the Jungle, Mr G Takei stood ‘tall’ and took them to account swiftly, revealing the true threat that would’ve gone unnoticed….

Thank God for the Takei…. yet again he’s saved the day!! Further details about Shatner and that bikini were imminent. Send in the two B’s!!

Star Wars: The Star Wars That I Used to Know Music Video

Everybody loves a bit of Gotye’s ‘Somebody I Used to Know’ but here’s an alternative that George Lucas might not want to pay attention to. This great spoof uses a blend of both films and music video and speaks for a good ol’ section of the adult population that remember the first time a Star Destroyer appeared chasing a Frontier Runner in 1977.

Star Wars Goes Cyberpunk

Action figure maven Sillof has given the Galaxy Far, Far Away steampunk and Western treatments. Now, he’s tossed the cast of the original trilogy in the Cyberpunk Nineties.

In this never-was era, Luna and Link Sourcecoder wage an information war against the tentacle-caped Darth Vector with the aid of veteran hackers Hak Slicer, Cyberhacka, and utopian tech guru Zen. Seeing these figures makes me wish he built a Jabba the Hutt as the bloodthirsty CEO of a pizza delivery franchise. Explains Sillof of these groovy custom figurines:

‘This line was actually one of the first redesign idea I had almost 15 years ago, in the 99, when I first started to redesign characters. The line is intended to have a 90s scifi aesthetic. It has some elements of Cyberpunk, The Matrix, Akira, Ghost in the Shell, etc. I envisioned the movie as a struggle by a group of rebel hackers struggling to break free from the oppressive system of control by a mega technological corporation that controlled all aspects of society.’

‘I really hope Rod₂ communicates solely through Crystal Method songs, Chip³ shills Pepsi in his off hours, and the villainous Bolt Volo has a gun powered by Compuserve.

Be sure to check out these gee-whiz sculptures with further detail and back story at Sillof’s site. And for more of his nifty creations, see the Steampunk and Western Star Wars, and the steampunk Legion of Doom and Justice League.’

Star Wars 1313: All 3 Extended Gameplay Trailers Back to Back

It has come to our attention that we are beginning to become a depository for other people’s cool. At the risk of becoming an advertising space for a company that frankly doesn’t need it I have to post this however. Lucasarts have released 3 trailers (in the wrong order) featuring gameplay from Star Wars 1313. It’s first mature rated game – I think it’s first mature rated anything – it features a breakout at the titular level 1313. These are the three trailers together – in the right order.

Whether mature content is a move that Lucasarts intend to investigate more is unknown but as much as it pains me to say it, Lucasart’s incredibly well funded design shop have done it again. It looks monumental, with (assuming the extended scene is indicative of general gameplay) beautifully developed sequences and fairly seamless and exciting gameplay. Rumours of Leisure Suit Jabba : Tits on Tatooine or the the new TV series X-Wing, a view of daily life and conflicts in the Senate by Aaron Sorkin are most likely grossly overstated.

Never the less head over to the Star Wars: 1313 site if you’d like to hear some moody music, look at this image and follow it on Facebook.

Lost Jedi Sketch 4: Rial Shif

Rial Shif is an agent of the Jedi. You could walk around the Jedi Temple in Coruscant and ask everyone if they’ve ever heard the name Rial Shif. The answer from almost all of those present would be no and a quizzical look as to where you got that name from.

Rial Shif is as close to a Dark Jedi as you’ve ever met without falling over the precipice of the Dark Side. His teachings were considered far too borderline – edging into powerful and long hidden dark aspects of the force – to be allowed to teach the younglings. However Jedi Master Yoda understands the good in Rial Shif. His trust in Shif means he has found a unique position within the order. He wanders the space lanes, mostly out on the outer rim practicing his own brand of Jedi justice. Always short of brutal, Shif is an exacting and intimidating Jedi. All those that have crossed him have discovered that. To their cost.

Lost Jedi: Jedi Master Yoda

Master Yoda’s escape from Kashyyk was going to be focussed on in more detail in Lost Jedi as he tries to make his way to the launch point with Chewie. On the far side of the planet, a contingent of Jedi are heading towards the main battle site with the intention of extraction and damage control. Yoda is aware of their presence and does what he can to aid them from his position but to no avail.

The Lost Jedi: Master Govija Kaoli

Jedi Master Govija Kaoli (Jack Gavin) is a whip crack smart tactician who always gets every body killed. Always put at the sharp end because of his calm exterior, Govija Kaoli has only one true Achilles heel. His Padawan Mooba Choobi. Having been assigned an idiot nephew to the successful Hooba Choobi, Govija finds his path immeasurably blocked by the affable buffoon. Govija is a kind hearted warrior with almost immeasurable patience and a wry view of the universe but even he is uncertain whether his strong Jedi intuition and piloting abilities will help him survive alongside such an incredible idiot.

Jack Gavin doing a pose

Star Wars Auditions: Carrie Fisher

Princess Leia was a little feistier by the time Carrie Fisher hit the big screen but then when you’ve been asked to lose 10 pounds to get the part it’ll give you a little kick in the butt. Definitely, the chemistry between Ford and Fisher is right there. Hard to believe that Ford wasn’t automatically the first choice for Solo. But then Lucas isn’t everyone’s first choice for Star Wars movies. 😉

Practitioners 39: Adam Hughes

Adam Hughes (born May 5th 1967 in Riverside Township, New Jersey) is an American comic book artist wwho has worked for compnaies such as DC Comics, Marvel Comics, Dark Horse Comics, Lucasfilm, Warner Bros. Pictures, Playboy Magazine, Joss Whedon’s Mutant Enemy Productions and Sideshow Collectibles. He is undoubtedly known to American Comic book readers for his renderings of pin-up style female characters and his cover artwork for titles such as Wonder Woman and Catwoman. A specialist in defining the female form, Hughes is an true artist, capable of creating works of fine art freehand at con tables as well as through digital painting and drawing.

Hughes had no formal training in art, beginning his career in 1987, pencilling two short stories and the first issue of Death Hawk, created by Mark Ellis. In 1988, Hughe’s work found its way into Comico’s Maze Agency written by Mike W. Barr and remained on the book for one year. When that title ended (cancelled by Comico), Dc offered Hughes a position drawing Justice League America. Completing both covers and internal artwork to begin with, Hughes moved to just covers only after two years.

At the age of 24, Hughes moved to Atlanta, Georgia in order to join Gaijin Studios, believing that working more closely with fellow artists would improve his own skills. He remained with Gaijin Studios for 12 years.

He followed this with a short stint on Dark Horse comics’ Ghost, Penthouse comix, legionaires and Playstation magazine. Although Hughes wrote and illustrated the interiors of 1996 two-isssue miniseries Gen 13: Ordinary Heroes for Wildstorm, this took him 10 months, cementing his feeling that he should remain as a poster and cover artist. In late 1996 he began a five year run as cover artist on DC Comics Wonder Woman as well as providing cover artwork for Tomb Raider at Top Cow Comics.

When the Star Wars RPG (Role Playing Game) was created by Wizards of the Coast, Hughes created designs for both the original and revised core rule books. When he reused his artwork of Jedi Guardian Sia-Lan Wezz for the cover of Star Wars: Purge the fan response was so great that she was introduced as one of Darth Vader’s early victims.

Talk of an All Star Wonder Woman 6 issue series continues as the Catwoman cover run ended at issue 82 in favour of completing the project (according to an interview at San Diego Comiccon). However, he has explained in subsequent interviews that the project is effectively in ‘the freezer’.

Regardless of what Hughes produces or believes himself (he worked for a short while for Playboy in order to be sure that if the comic book work dried up he still had publications willing to continue to hire him) his work will always be in demand. A nice guy who takes time to respond to almost all deviantart messages he receives he is responsible for some of the finest bodies of work in comic books. A master of anatomy and portraits he is as adept at painting a Jedi in full armour as a voluptuous superheroine ripping her bodice. Elevating the art of erotica to accessible and intelligent levels, Hughes imbeds wry humour into his work, keeping it from ever appearing demeaning or smutty. He imeds intelligence and character into his femme fatales, each one a striking, dominant, strong character, standing there with very few clothes on…