The much mocked (mainly by us) Ragnarok Dawn was Steve and I’s first attempt at making a film together and pretty much the first project we ever did. It’s from the 2 Days Later competition 2008 and is about a group of Vikings who get lost in a haunted wood and have to fight zombies.
If you don’t totally understand some bits of the story then that’s fine because I don’t either and I co-wrote it. That part aside though it does feature some fantastic make-up by Ali Reith and some very cool fight scenes by the talent team of Viking reenactors that offered to be involved. You also get to see Steve stab me in the head, which has got to be worth something.
We’ll admit we don’t watch much TV at Beyond the Bunker (we tend to catch this stuff on DVD – which this year would’ve led to reviews of Firefly and Battlestar Galatica) but we’ll try to make sure we keep up next year as best we can. Or review DVDs we’ve seen. Or get rid of it completely. Never-the-less here’s an attempt at the Best series of the year awards 2011 based on the buzz and our own personal choices.
Denied Winner – Game of Thrones (Season 1)
According to popular buzz surrounding HBO’s blood and thunder epic Game of Thrones, featuring LOTR’s Sean Bean, Conan’s Jason Momoa and Tesco’s ad’s Mark Addy in various roles we know nothing about, it’s an absolute corker and the best thing out this year. However, because of delays in releasing the DVD – causing online bloggers all over the web to declare that they’ve been left with no choice but to pirate it to get their fix in spite of wanting to support their favourite TV programme – we haven’t seen it. But we hope to. Oh yeah.
Based on George R.R. Martin’s epic series of novels the series has an enormous following and from what we’ve heard – rightfully so. As seven families fight to control the mythical land of Westeros, political and sexual intrigue is pervasive. In all of this chaos, clear and entertaining characters are struggling to gain increasing amounts of power – through savagery, skullduggery and sexual manipulation. Sounds great.
Winner – Sherlock (Season 1)
In spite of the fact that the decision by the BBC to produce a modern day turn for the world’s most famous detective, featuring Benedict Cumberbatch and Martin Freeman as the titular detective and his now unwilling partner, Watson generated some concern regarding the dumbing down of a British classic, Sherlock proved to be one of the best series released in recent years for a number of reasons.
It proved itself so slick, challenging and interesting that even die hard fans of the original Sherlock were brought on board. Initially, a three episode series, Cumberbatch’s depiction of an ostrasised and maligned genius detective being followed by a beleagured and bemused hobbled war veteran turned journalist through his first set of cases wooed audiences and made Cumberbatch a household name, previously restricted to period costume and theatre performances that while no doubt engaging failed to reach so wide an audience.
Combining assured and intelligent scriptwriting by Dr Who and (in one one case) League of Gentlemen scribes Stephen Moffat and Mark Gatiss, BBC’s primetime production values and an award baiting turn from relative unknown Andrew Scott as Sherlock’s new found nemesis Moriarty – the game is very much afoot for Series 2.
With Season 2 starting on New Years Day on BBC1, now would be a good time to familiarise yourself with the return of the great detective in this assured, intelligent and gripping series.
Frank Darabont’s translation of Robert Kirkman’s Walking Dead serialisation has been happily consistent with it’s source material. The bravery of focussing on the assembled survivors allows such a series to be created but the sense of scale that is realised – particularly in the devastation of Atlanta in the opening episode of Season 1 – gave the feel of the piece a much bigger scale than most American series. This was continued in Season 2 from the very first episode, featuring a debilitatingly tense scene involving ‘a herd’ and a plot point unexpectedly introduced from further through the comic book series.
It is a careful adaptation, using large swathes of detail from the original series – both following Sheriff Rick Grimes, his wife, child, best friend and a host of disparate survivors through a world now overrun by Zombies. But it darts and diverts from the original, allowing any devotees of the books guessing as to what is happening next an excellent and original experience. Developing its own storylines it remains rewarding both when it diverges from and converges on moments from the popular series.
The effects work is fantastic, easily on par – or beyond – work previously seen in various Zombie Movies. The presence of the Zombies is never lost, keeping tension in scenes where otherwise there may be none. This is also fuelled by the camerwork as the stark cinematography is deliberately sparse and simple, constantly making the viewer aware that empty space has the possibility of being occupied but most poignantly emphasising the isolation the central figures have found themselves in.
Effectively a survivors epic it has the added joy of the wandering undead to liven things up should the action become too leaden as it can at times in other long running series. Season 1 was only 6 Episodes long but with season 2 considerably longer it will allow central characters to develop in a way that will make the inevitable loss of them even more effective.
Epic scale narrowed to engaging character plots and the possibility of Zombies at every corner. The promise of this series based on events in the original books is potentially phenomenal and this series has to be seen.
Best Non-geek Series – Fresh Meat (Series 1)
The series follows a group of six students about to embark on the most exciting period of their lives thus far University (yawn, right?)! Away from home for the first time, on the brink of adult life, they are about to discover who they really are. From the moment they ship up as freshers at their shared house, their lives are destined to collide, overlap and run the whole gamut of appalling behaviour and terrible errors of judgement.
Sounds like every coming-of-age college series there is but this one proves itself different. The assembled characters move well out of their archetypal characteristics like students at their first university stand-up gig. Where similar series have relied on stereotypes and presumed reactions to arriving at university this one takes each individual and offers them realistic and familiar situations which they deal with in the way anyone else would. Quite badly.
The expected central figure Kingsley (Inbetweeners Joe Thomas) is sidelined pretty swiftly to share room with all his fellow housemates, in spite of a fantastic central plot involving a burdgeoning mutual attraction to fellow housemate Josie (Kimberley Nixon) which somehow always ends with them discovering the other has slept with someone else – sometimes hilariously audibly through their shared partition wall (while drunkenly arguing with each other at one point). Add to that the socially awkward Howard (Greg McHugh) who is pursued by a borderline psychotic classmate he developed a brief friendship with, straight talking hard-living Vod (the incredible Zawe Ashton) and Oregon (Charlotte Richie), desperate to be cool and terrified of being boring and you have a great mix.
But bizarrely, it’s Jack Whitehall’s character JP that walks away with the crown. A public school boy with an over inflated sense of entitlement, Whitehall manages to instill enough humanity into the prat that you do understand why the rest put up with him.
The jaunty and intelligent script bounds away through numerous scenarios, both realistic enough to be occuring but wild enough to be entertaining and the incredible cast bring it both harmoniously and raucously to life. An excellent series and well worth a look.
Most anticipated DVD – Star Wars: The Clone Wars Seasons 3 and 4
Unseen as yet and as I understand it ongoing at present – Clone Wars Season 4 is the continued influence of Star Wars on kids TV channels. Less engaging than the original 2 Dimensional seasons directed by Genndy Tartakovsky but offer more plot and development to the whole saga. With each season the CGI improves and more worlds are revealed in higher detail. Still 2 seasons behind at present however I (Steve P) have to put this on my guilty pleasures list because it expands the Star Wars Universe and is occasionally noticably created by true die hard fans who jump at the chance to develop part of the SW universe.
Most Cause for Concern – Dr Who (Season 6)
Matt Smith is an excellent Doctor, Karen Gillian is a great sidekick and we know that Steven Moffat is a great writer. However, somehow, indiscernably, the last series of Dr Who has lacked the pathos and light hearted touch that previously won it so many fans. No doubt a deliberate intention by Moffat to darken and broaden the Who, it appears to be beginning to lose it’s grip on plot this season. In spite of an introduction of The Silence, the scale and adventure wasn’t as bedded down in character and engaging emotional situations as it has been in previous seasons.
Upping the sci-fi quota, scripts have become slightly convoluted and less involving as a result. Matt Smith, while entertaining as the lithe and slightly dotty Doctor lacks the strength that the more seasoned Doctors had and while, initially, the scripts played with this they have now put perhaps too much emphasis on a young actor to imbue wonder and concern at every turn every time a ‘tree whispers’. Somehow less surprising than previous series, the science babble has gone up, the lunatic and dastardly alien beings have gone down and the geek wish fulfilment is beginning to become too visible.
I have loved Doctor Who but I am concerned that continuity is beginning to fray and that it needs a rest between seasons before it collapses under it’s own weight of expectation. Still excellent, it is however less excellent than it was, seemingly relying overly on emotional resolutions to tie up convoluted plots and slightly unoriginal concepts.
However, still excellent. Hopefully Moffat et al will see the slight error in their ways and get behind an excellent Season 7. God knows the BBC wants it!!
Okay, so it was Hallowe’en yesterday and I hope you all had a seasonably devilish night. I was trawling the super information international global imaginary digital highway just this morning and discovered some of the finest designs of Jack o’ Lanterns imaginable. Take a look at our top five.
Okay – I’m the first to admit this is getting out of hand following the Thor and Arkham Asylum trailers this week but it turns out Disney and Bruckheimer want a sniff at the Christmas pie by previewing their wares on the run up to Christmas with this little number: Pirates of the Caribbean: On Stranger Tides.
A lot points towards a return to form with Bloom and Knightley out of the picture, allowing this picture to be nicely populated with cutthroats, villains and curs. The old favourites Captain Jack Sparrow and Captain Barbossa are present and correct and the title suggests that this episode is based on Tim Power’s cracking swashbuckling fantasy novel ‘On Stranger Tides’ much like its previous incarnation ‘Curse of the Black Pearl’ was enhanced by a resurrected script from Lucasarts epically ludicrous ‘Secret of Monkey Island’. Throw in a sultry foil / love interest in the form of a very unexpected movie star and Ian McShane of Deadwood fame chewing on the quarterdeck as Black Beard and I’d say this looks like a return to form worth looking forward to.
‘Load up the yardarm lads – there be a rebooting franchise returning to form on the Horizon.’