Star Wars IV: A New Hope : How it all Started
Hard to know what was going into George Lucas’ head when the Star Wars trailer went out in Cinema Screens throughout the US. In the time it had taken him to create Star Wars Pinewood studios employees had been openly laughing at the the weird menagerie of creatures parading between the sound stages. A young director with a decent success under his belt, Lucas was dealing with dissent and boredom from his actors, most prominently the seasoned actor Alec Guinness. If you credit Lucas with nothing else it has to be vision and tenacity as he stuck resolutely to his lasers. Luck is in there somewhere but in 1977 something kicked off in cinemas throughout the world that literally changed the shape of popular culture for the remaining final fifth of the Twentieth Century.
Introducing in the first three minutes, characters that would become cultural icons, Darth Vader (voted No.1 Villain of all time in an Empire poll), C-3PO, R2-D2 (later to get their own series) and Princess Leia. The assured nature of what new audiences saw on that screen was due to Lucas’ faultless vision and willingness to experiment.
On a reportedly shoe string budget of (equivilent) $1 Million (a pittance for a sprawling space saga) for special effects some of the effects footage was filmed using a truck, firecrackers and a moving truck.
Produced with a budget of $11 million and released on May 25, 1977, the film went on to earn $460 million in the United States and $337 million overseas, surpassing Jaws as the highest-grossing film of all time at the time. Among the many awards the film received, it gained ten Academy Award nominations, winning six; the nominations included Best Supporting Actor for Alec Guinness and Best Picture. Lucas has re-released the film on several occasions, sometimes with significant changes; the most notable versions are the 1997 Special Edition and the 2004 DVD release, which have modified computer-generated effects, altered dialogue, and added scenes. As if you didn’t know that already.
But more than that – it has become part of a tiny canon of cultural flagships – markers of culture throughout history – culturally equivalent (at least thus far though history’ll tell) as the Odyssey, Macbeth and (incredibly) with the effect of a religious text. If you are in doubt attend the same conventions I do and keep your eyes open for Stormtroopers.
What was presented to an excited public was this and still to this day, those who attended the premier screenings across the US, UK and ultimately the globe still talk about the awe inspiring moment the star destroyer flew overhead. From that moment on, with hindsight, it seems obvious now that Star Wars was a revolution that would spawn a million more stories and an entire universe of possibilities for a multitude of fans.
George Lucas; we salute you.